REVIEW OF THE ALBUM "AWAKE THE RIOT" BY DUST BOLT

Dust bolt is a thrash metal band from Germany formed in 2006, recording their first demo in 2010 "Chaos Possession" instantly got national recognition, then after wining the Wacken Metal battle, the band record their first album, Violent Demolition , signing with the prestigious Napalm Records, and then getting known worldwide as one of the best new thrash metal bands. The second album Awake The Riot was released the 30th May of 2014, getting really positive feedback of the worldwide media.

Dust bolt bring the old school thrash metal as the main strategy, forging a frenetic fast paced and genuine thrash with similarities with Kreator and Slayer, and taking some patterns from Havok or Divine Chaos, denoting a high quality and technical instrumental from the first moment; the drums are powerful and sophisticated, changing rhythms and creating the moshpiting feeling together with technical guitar sections of palm muted, virtuous performances and effectively aggressive, raw and sharp high pitched vocals.

The album Awake the riot opens with Living hell, as the drums break the ice in a sudden thrash metal attack, good sign of what the band is about, pure headbanging thrash metal revival, the guitars work in perfect harmony adding fast melodies under double pedaled parts, excellent changes of pace as it brings you up every time it accelerates with remarkable drum details; and this is only the beginning, the breathtaking metal attack Continues with Soul Erazor, as the sharp drum missiles explodes in another anthem with straight chorus where the listener will scream fist in the air, special mention to the guitar melodies on the back, great composition there as a good mid fast tempo highlight of the album.

Beneath the earth speed up the pace in a very straight forward track, including some growling parts together with mid fast tempo harsh vocals, as You Lost sight evolves in another authentic speed thrash metal shot, headbanging as hell with an increscendo structure emphasized by the drums play.

Agent thrash is for thrash metal what agents of steel is for speed metal, a powerful demonstration of speed thrash metal force exploding like an atomic bomb, with effective riffs, forceful drum power and great chorus; but there is no break yet, as Living a lie attack you with technical riffs, drippings of death metal guitar melodies, as well as a frenetic unstoppable rhythm becoming one of the gems of this band.

The self titled track awake the riot - the final war comprises a mid powerful tempo obviously accelerated to a short and breathtaking song including catchy bridge and chorus.

Eternal waste and Drowned in blind faith heralds mid fast shots of palm muted and galloping sections, really amazing drums performance with one of the best progression of the album, linked with Worlds built to deceive, forging more thundering thrash power patterns, raw and thrashing machinery with good guitar dark melodies trespassing slightly to the death metal elements as The monotonous - distant scream rises from the acoustic evil notes progressing with ascending intensity, including excellent melodic harsh vocal verses that amazingly explodes in a combination of thrash heart with death metal meeting epic elements.

Future shock is the last track of this Awakening the riot, as another genuine heavy thrash metal anthem running in a mid tempo, introducing early thrash metal elements to evolve adding more technical drippings sign of the band, making it another hit in this album.

Overall Dust Bolt forged an authentic masterpiece of frenetic neckbreaking thrash metal, that could take you to the mosh pit from the first track to the last one without breaks; the production is crystal clear and also the compositions are great, every element played is in perfect harmony with special mention to the guitar performances, being sophisticated, technical and not boring, together with a remarkable vocal style, demonstrate its power in tracks like Soul Erazor, Agent thrash or Living a lie, encapsulating the sound of the band and defining their style, true thrash metal!

9,5 / 10

Line up
Lenny (Vocals/Guitar) 
Flo (Guitar) 
Bene (Bass)

Nico (Drums)


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Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

REVIEW OF THE EP ADRENALINE SHOT BY AMKEN

Amken is a thrash metal band formed in 2011 in Greece, releasing independently their first EP Adrenaline Shot on the 30th November 2014.

Amken style is genuine thrash metal, simple and straight to your brains, the harsh low to high pitched vocals are amazing and also the guitar-drums team play is really well composed to take you to the mosh pit right away; you will find that visceral thrash attack seen on Razor or Exodus.

Adrenaline shot bangs with the tittle track, straight headbanging and powerful wild style, the rhythms go mid and fast really effectively, linking with Zombie Pets in another breathtaking thrash missile, this time comprising more technical elements, with excellent vocal parts and special mention to the drum pounding blasts, including one of their best chorus and a highlight of the band's style.

The dark introduction of Nightmare leads to another in crescendo thrash shot, continuing the nonstop headbanging feeling with a good structure and remarkable melodic sharp vocal sections linking to the final track God's asleep, clearly their best act, introducing deeper and epic sensations to the mixture, the theatrical performance of the vocalist is outstanding, the bass sounds bloody well, dirty and evil as hell as the thrash machinery evolves to a fast thrash symphony that will leave you hungry for more.

Amken brought to light their first Ep leaving a really good impression, their thrash is aggressive and effective, without being extremely technical this cut is wild and violent, showing that the weapons are ready to attack.

8 / 10

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Line up

Sokratis - Drums, 

Giannis - Guitars, 

Vanias - Vocals / Guitars, 

Vasilis Chytiris - Bass

Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

REVIEW OF THE ALBUM "FACING THE FALLOUT" BY SHADOWBANE (16/1/2015)

Shadowbane is a power metal band from Germany formed in 2007 and releasing only their demo Dystopia independently in 2010,becoming a really promising band, and now ready to conquer Europe with their upcoming album Facing the Fallout, due to be release next 16th of January of 2015 via Pure Steel Records.

Shadowbane breath from the flames of the authentic heavy-speed metal mixing German and US power metal effectively, having similarities with bands like Accept, Helloween or Grave digger combined with epic Manilla Road or Queensrÿche, high pitched clean and sharp vocals, contrasting melody and powerful choruses with technical guitar riffs and fast pounding drumbeats.

The album opens with the Red alert instrumental apocalyptic shot linked to Beyond the winds of war, powerful heavy start on the line of Accept including palm muted and galloping riffs, changes of pace and good drum performances, but being eclipsed by Traitor, one of their best tracks, including some outstanding riffs and shreddings (remember the Spanish power metal band Avalanch riffs?) headbanging as hell with an excellent structure, better chorus, and remarkable guitar performance.

Under bleeding skies evolves in a straight high speed heavy metal shot with memories of Judas Priest, very well composed on the bridge and the slow paced chorus, special mention to the vocal work on the clean and sharp styles combining aggressive and melodic sections really well; continued by After the fallout, comprising a mid fast tempo pattern of pure US power metal, amazingly well composed and headbanging and coming back to the German Grave digger influence with Dystopia, totally addictive riffs and chorus, forging a memorable bridge.

Tears down the wall explodes like an authentic speed metal track with melodic power metal added to the mixture, the clean vocals are amazing here as the progression with the guitar shredding and the emphasizing drums create and endless headbanging anthem, linked with another highlight of the band style, Badlands law, mid fast shot with a chorus to be shouted on the gigs, drum and guitar structure reminding to the ram it down era of Judas Priest but keeping the powerful sign of the band.

Last division take the Teutonic riff style and mix it with the US power melodies to create a true masterpiece of sophisticated drum shots, epic guitar performances and outstanding bridge and chorus, to finalise with Source of Grief, accelerating the metal machine to a high speed pace; this last bomb combines very well the elements that Shadowbane have used before,rhythms changes, aggressive and frenetic powerful in crescendo verses that make you break your necks in a breathtaking pulse.

Shadowbane managed a really professional production forging an excellent work in every aspect, the album contains masterpieces like Traitor, Last Division or Source of grief being highlights of the album. Shadowbane will step forward to the top of the true power metal scene with Facing the Fallout.

9 / 10

Shadowbane line up
Stefan - vocals

 Lukas - lead- and rhythm-guitars 

Markus - lead- and rhythm-guitars 

Moritz - bass and backing vocals 

Renè - drums 

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Release by Pure Steel Records

Review by Daniel Ortiz from Metalheads Union and Metalheads Union FB

INTERVIEW WITH KAMIL "MADNESS" FROM THUNDERWAR

The epic death metal band Thunderwar released their first EP Birth of Thunder last year 2013, getting global recognition and generally very positive feedback from the media (click here to read the review), and now they are getting ready for their first studio album that could come to light anytime in 2015.

Meanwhile I had the chance to interview the vocalist and bass master Kamil "Madness":

- Hi! It’s a pleasure to interview you so Thank you for taking the 

time.

Hail to England!

- Thunderwar is a new band that released its first EP in 2013, tell me 

the beginnings, how did you choose the name and how the band was formed?

It's a long and boring story. I will try to shorten it.  I’ve known Vit, 

the drummer for a long time. We both played in thrash metal band when we 

were kids. When our squad broke up, we decided to create new, heavier 

and more devilish pack. We were looking for good guitarists, who love 

death metal.

We met them by chance. I knew Olszak and Witold by sight from concerts. 

I didn't know that I will play with them in Thunderwar. They came to the 

rehearsal and they were delighted.  They had the experience and they 

were hungry for metal, just like me and Vit. From the start we were on 

the same page. Now we are true friends.  At the beginning we were called 

Perun, in the name of the pagan, Slavic God - Perun The Thunderer. Then 

we recorded the first single called "Eagle of Glory" - our metal 

interpretation of Polish national emblem. We changed the name because we 

wanted to be more understandable to foreigners and also still to refer 

to the old name. So now we are Thunderwar. Word formation at the level 

of a high school student, but we think it sounds cool.

- How long did it take to create the birth of thunder? Are you happy 

with the result?

First and foremost, EP "The Birth of Thunder" is just a remain of the 

first album that was never released. We chose the best tracks from 

rejected by us album, and this is the way how The Birth of Thunder 

appeared. We are happy with the result. People like it, we also like it. 

If that record came out in that shape back then, surely we wouldn't be 

in such good moods today.  That material really sucked. Not because 

compositions were weak. Sound and mixes were totally fucked. We had to 

rescue our stuff but only three tracks survived.  I think that the whole 

process of creating our debut took more than one year.

- How did the international media respond after the release of your 

first EP?

We owe the big response to our managers. They shipped the material 

wherever they could. The result is the increasing number of fans from 

all around the world, especially from USA, UK and Brazil.  It's fucking 

awesome when someone from the other end of the globe can hear and  

appreciate our blasphemous work.

- Could you describe the metal scene in Poland?

Poland is a powerful metal bastion. Every metal maniac should know bands 

like Vader, Behemoth or Decapitated. We are very proud of these bands. 

But our metal scene isn't only those three hordes. There is a fucking 

great underground scene in Poland. Most of these bands are just amazing. 

We played national tour with mighty Pandemonium, Hellspawn and Deep 

Desolation.  Unforgettable memories and well spent time.  Also we played 

with Azarath, powerful formation from Tczew. They went on tour with 

Morbid Angel in Poland. I can’t forget to mention our friends from 

Bestiality and Morthus, young bands with great potential and talent. I 

especially recommend you polish black metal bands like Furia, Mgła, 

Plaga, Morowe or Infernal War.

- The epic death metal style of Thunderwar is really well composed and 

performed, what are your influences?

Thanks! It is hard to say. We listen to a lot of music. Blues, hard 

rock, heavy, thrash, death and black metal. It is our religion. But I 

think our greatest idols like Bathory, Dissection or Morbid Angel have 

the greatest impact on us. Of course, we always try to create our own 

climate. I think we succeeded, but people usually associate us with a 

mix of American and Swedish metal scene. Maybe they're god damn right.

- Are you preparing a full length? If so, how is the process going? 

Could you anticipate some details?

Actually we are recording a new album. Drums and guitars are done. Next 

step - bass and vocals.

Want some details? Hmm... Full album is going to be darker and more epic 

than "The Birth of Thunder". You won't be disappointed.

- Have you signed with any record label?

No, we haven't yet.

- Are there plans to tour Europe in the future?

There aren't any special plans for now. But when we are finally done 

with our LP, certainly we will think about conquering Europe.

- Which countries would you like to play?

We have never played abroad, so we’re going to be excited no matter 

which country it would be.

- You have shared stage with big names like Amon Amarth, which other 

bands have shared stage with Thunderwar?

We have also shared stage with such stars as Carcass, Obituary and 

Azarath. We hope the list will be much longer in the future!

- One of the bands you play with are Morthus, I see they share similar 

tastes, and also are a new band with one EP, do you know them? How is 

the relation with Morthus?

Yeah, we know these bastards.  We are often sharing the stage together. 

I really like them!

- Which bands would you like to share stage in the future?

Hmm… tough question. I would love to play with pioneers of death and 

black metal, who motivate us to fight. I don't know, maybe Morbid Angel, 

Watain, Behemoth or Entombed?

- Tell me how do you remember your best moment on stage.

It was when we played before Carcass in Warsaw. The place was full, it 

was our first performance with such a large audience. When we played our 

death metal epos – Vimana: The Chariots in Heaven, I showed them horns 

from the stage.  Almost the entire audience responded with the same 

gesture. It was very meaningful and memorable moment for me. I was 

exhausted but it filled me with extraordinary energy and gave me 

strength for the rest of the show.

- Could you leave a message for your fans?

What can I say? Wait for new album, and be ready for freezing cold, and 

demonic blizzard, because The Thunderer doesn't show mercy!  Stay heavy.

- Thank you so much for your time and also thanks to your manager Slawomir for making 

it possible, hope to see you soon in London!

Thank you very much! We will visit London for sure, it's just a matter 

of time!

https://www.facebook.com/thunderwarofficial

LINKS:

• Facebook 
• YouTube 
• Merchandise 1             
• Merchandise 2

CONTACT   thunderwarbandofficial@gmail.com

Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

REVIEW OF THE ALBUM CRAWLING OUT OF HELL BY FALLEN ANGEL

Fallen Angel is a power metal band formed in 1983 in New York, releasing their first demo in 1985 and split-up in 1986, being in the shadows until they reunited in 2009, working hard to create their first album Crawling out of hell, first part of three in a conceptual epic saga, followed by the trilogy of fictional novels written by the guitarist John Cruppe. This first album didn't have a major impact when it came to light in 2010, but now in 2014, it has been re-released via Killer Metal Records, bringing this album to light to the main metal scene. The second part is coming, under the name Cast out of heaven.

Fallen angel is inspired by the late 80s and early 90s heavy metal combining power metal and speed metal creating sophisticated compositions , introducing a mid to high pitched raw vocal style, on the line of bands like Warrant, Halford or Exciter. Guitars bring melodies from US power metal including the epic side to the mixture as the drums follow effectively the pace of the band, enriching the sound with excellent technical performances.

The album is completed with twenty tracks, six of them are instrumental introductions developed almost without breaks between the songs, as a concept album; the atmosphere of the winds of Crash to Oblivion take you inside the world of Fallen Angel as the thunder roars to Sinner's vengeance, straight and heavy speed metal bomb that will make you bang your heads with one of the best songs from the band, remarkable job on the drums details and the powerful voice, continuing with the troops marching of March into hell leading to Blood on my soul as a mid tempo US power metal, with a real forceful sound and Halford-like vocal screams.

The grinding wheels of war continues the epic sound to introduce The reapers shall Gather, another highlight for the album, a piece of pure heavy metal with an outstanding high pitched vocals, giving it all and creating a real piece of true metal with excellent chorus to be played again and again.

Arrival raises the dark evil feeling to the battle as the Dark Lord come to scene, with another astonishing speed metal furious style, totally neck breaking on the verses and mid tempo catchy chorus as the Darkness reigns in a mid paced shot, with powerful melodies on the vocal line, showing mid to high sharp screams and progressive instrumental with galloping patterns.

The one who walks alone, with a dark feeling to start, evolves in a mid tempo melodic shot with progressive drippings on the instrumentals, not as aggressive as previous tracks but perfect on vocal performance,continued by the ballad The answer, ascending in intensity from the acoustic to the melodic chorus with influences from Queensrÿche.

The cold orchestrated introduction Respiration Desperation leads to another mid tempo US power metal, The neutral zone, with headbanging force and galloping chorus and drippings of Mercyful fate and Judas Priest as Life or death acoustic notes start exploding in a mid fast shot of pure heavy metal, with really good job on the drum performance and addictive chorus in one of the best vocal combination of styles.

On and on is a slow to mid paced shot, pure strong, powerful heavy metal of those that make you bang your head under an ascending epic feeling, remarkable the clean vocal technique; as Ashes to ashes whispers introduces you to the ballad Leaving all behind, another Queensrÿche style ballad, in crescendo and really intense and well forged, specially in the second half, memorable melodies and perfect creation even reminding the Dio and Iron maiden influences.

Watching mid tempo heralds a good quality on technique and powerful structure, the vocal melodies reminded me to Oliver Magnum on the verses, so good performance linked with Sad wings, ballad with acoustic start and ascending to another intense, amazingly epic anthem to finalize with Grant me Peace, combining the power metal with the aggression of Judas Priest, bringing to light one of the best bridges and most forceful chorus, completing the first part of Fallen Angel's concept works.

This is the result of a really hard work, reflecting a gigantic production That not only will make you bang your head, Fallen Angel are introducing the listener to an epic adventure story that will catch you from the beginning. Looking the album as a whole play, I can Say they forged a masterpiece of authentic heavy metal, introducing speed, power and classic heavy metal defining the true metal in every sense.

9 / 10

Line up

Steve Seniuk (vocals)

John Cruppe (guitar, keyboards)

Robb Lotta (guitar)

Joe Surace (bass)

Frankie Quaggs (drums)

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Release by Killer Metal Records

Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

REVIEW OF THE ALBUM LOBOTOMIZED BY BIOTOXIC WARFARE (19/01/2015)

Biotoxic Warfare is a thrash / death metal band from Heraklion (Greece), formed in 2012, and releasing their first EP Baptized in blood and greed in 2013 receiving positive feedback from the media. The band went to the studio in september 2014 to record their debut album, Lobotomized, due to be released the next 19th January 2015 and signed with Slaney Records,

Biotoxic warfare sound comes from the aggressive speed thrash metal taking influences from Exodus, Kreator to Slayer, including some thrashy Venom era style, guitar melodies are feed by pure death metal structures (memories from Death or Obituary) combined with oldschool thrash riffs, followed by a technically perfect drum style, mixing thrash and death rhythms continuously in the album; vocalist give it all in every track, showing an aggressive and powerful attitude with raw harsh mid-high pitched vocals, making the whole combination a pure bomb of headbanging metal.

The album starts with a death metal feeling instrumental track, Mors indecepta, as the evil notes lead to a combo of thrash action where the drums make a remarkable job in perfect harmony with the guitar performance, being a good warm up for Proclaim the gospel of lies, this time death metal guitars riffs explode together with thrash metal drumbeats, awesome fast paced track totally neckbreaking, continued by Baptized in blood and greed, one of the best of the band, as a super fast galloping and furious thrash metal attack, with short and straight vocal shots and changes of pace with astonishing palm muted riffs.

The same headbanging fuel continues with Dysphoric Reality, genuine oldschool thrash that amazingly is transformed in pure death metal at some parts, fast to mid tempo in a good anthem that encapsulates the band spirit.

The acoustic atmosphere surrounds you as the explosion of authentic furious thrash burns your soul with the tittle track, Lobotomized, remarkable guitar play and amazing mid fast drumbeats with added double pedal in an excellent composed structure and followed by another highlight for the band, Lust for hate, included previously in their first EP, the patterns taken here includes death metal drippings under a fast killer thrash fire, but creating a great bridge that leads to one of those chorus to scream and bang the head.

Parasitic life and As we Rot(promises of heaven) follow the same force and even raise up the aggression levels with a more notorious drumbeats in two of the fastest songs of the band that will your necks, special mention to As we Rot, introducing death and growling vocals in a vertiginous fast missile combining successfully all the elements the band have experimented along the album creating an inevitable mosh pit.

Biotoxic Warfare made their point of entry to the main thrash metal scene with Lobotomized, succeeding in terms of crystal clear production with the first album and forging surprisingly good album, if you want thrash metal, with death metal drippings, straight and strong, Lobotomized is what you are looking for.

8,5 / 10

Line up

Mike Kavalos – Vocals 

George “Dimator” Dimitrakakis – Lead Guitars 

Stelios Sfendilakis – Rhythm Guitars 

Panagiotis Polioudakis – Bass 

Orestis Drapaniotis – Drums 

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Release by Slaney Records

Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

EVIL INVADERS UNVEIL DETAILS OF UPCOMING ALBUM & NEW TOUR DATES

Evil Invaders just unveiled the release of their long awaited first album Pulses of Pleasure will be the next 2nd March 2015 in UK and 10th in the US/CAN via Napalm Records, the speed thrash metal from Evil Invaders is coming back and will be one of the surprises of the year, you can read the review of their first EP here

This is the track list and the official release dates for the new album Pulses of Pleasures:

1. Fast, Loud 'n' Rude

2. Pulses Of Pleasure

3. Eclipse Of The Mind

4. Siren

5. Stairway To Insanity

6. Shot To Paradise

7. Venom

8. Blinded (intro)

9. Master Of Illusion

G/A/S/Europe/AUS: 28.02.2015          

UK/NO/FR/DK/IT: 02.03.2015

SE/ESP: 04.03.2015          

USA/CAN: 10.03.2015

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Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Review of the album "Með vættum" bySkálmöld (Napalm Records)

Skálmöld is a Viking metal band from Iceland formed in 2009, the name comes from the words "Age of the Sword". The band have released three albums, Baldur  (2010), Börn Loka  (2012) and the recently released Með vættum, last 14th of November 2014 via Napalm Records, and will be available the 1st December in UK (and rest of Europe).

Skálmöld feed the flame of Viking metal adding fo drippings under a mixture of heavy metal, thrash and death metal elements along the album, the vocals are impeccable, growling and straight from the beginning to the end, but probably eclipsed by the high quality of the guitar and drums performance most of the times, alternating the death metal elements in good harmony with the above mentioned thrash missiles and heavy pounding rhythms; the compositions are rich in general and will never bore the listener, being one of the best cards played by the band.

Að vori opens the album straight away with the Viking power sensation, boosted with epic force and headbanging feeling, with special mention to the vocal job and the strong pounding drumbeats, continued by Með fuglum, exploding in a powerful death metal attack contrasting with heavy and viking headbanging metal in-between, remarkable job on those guitar riffs, thrashy solos and also the bass sound, powerful with the melodic clean vocal parts, definitely one of the best of the band.

Then is the turn of the mid tempo with increscendo structure Að sumri, enriched with sophisticated drum performance and really good job on the vocal melodies, and of course awesome ending continued with another mid paced shot Með drekum, this time with stronger and neckbreaking riffs and drumbeats with added northern epic melodies.

Að hausti heralds one of the best Viking symphonies of the album and also is combined with modern structures on the vocals, that mixed together creates a good feeling, keeping the headbanging power with good points on the double pedal parts.

If up to now you like the album, get ready for the best song of the band, Með jötnum, including the best Viking sensations twisting the rhythms with death metal riffs and technical drum performance, and even though the instrumental break could distract you at the beginning, it's a theatrical warming up for the best composition of the album, where the intensity explodes in an astonishing in crescendo canon of vocal melodies and epic instrumentals.

Að vetri continues the epic adventure with another genuine viking metal shot, creating a good harmony with the straight harsh vocal and the melodic instrumentals, developing a forceful ending with epic power metal influences and leading to the last song of the album, Með griðungum, strong mid paced rhythms showing a better and more furious vocal play, ascending intensity exploding in a sudden fast paced metal where the shredding and the vocal verses explodes together leading to an intense hymn part very well composed.

Skálmöld forged an album with the essential Viking metal lessons, but without being another run of the mill job, the band introduced thrash, heavy and death metal elements, ascending the power to a high level of inspiration and technical performance, equally headbanging from the very first second.

9 / 10

Line up

Snæbjörn Ragnarsson - Bass

Björgvin Sigurðsson   - Vocals, Guitars

Gunnar Ben  -  Keyboards, Vocals, Oboe

Baldur Ragnarsson  -  Guitars, Vocals

Þráinn Árni Baldvinsson  - Guitars, VocalsJón Geir Jóhannsson -  Drums, Vocals

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Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB