Showing posts with label oliver magnum. Show all posts
Showing posts with label oliver magnum. Show all posts

Thursday, 16 April 2015

INTERVIEW WITH SACRAL RAGE (MARIOS AND DIMITRIS)



After releasing their first album with Cruz del Sur, Sacral Rage and their Illusions in infinite Void are getting known worldwide by true metalheads, so finally I had the chance to have an interview with guitarist Marios and vocalist Dimitris. If you'd like to check the review please click here




Hi guys! Thanks for your time and also thanks to Jan from sure shot worx for making it possible.


First of all lets talk about the history of Sacral Rage, why did you come up with that name? What different metal styles have you been influenced when the band was formed?

Greetings to all of you!!

We started on the last month of 2011 and since then we have 2 official releases and a couple of demos/promos. The mini Lp “Deadly bits of iron fragments” by Eat Metal Records in 2012 and the full length “Illusions In Infinite Void” in 2015 by Cruz Del Sur on cd and Underground Power Records on vinyl.

You can liken the name as follows: The “Sacral” element stems from the darkness, paranoia and madness we breathe while the “Rage” arises from our lethal speed and rhythm attack.

The style and vision haven’t changed although it evolved a lot. We still bow down to bands like Judas Priest, Rush, Crimson Glory, Watchtower, Nasty Savage. Just like the “old” days.



Seeing the result of this combination of styles, what bands could be the major influence for Sacral Rage?

Too hard to answer that. The only thing I can tell you is that all of our influences, subconsciously rise through our songs and we don’t have a certain band in mind when composing stuff. Of course there are certain bands that we have in the back of our minds but As much as we are influenced By Rush and Mercyful Fate evenly Annihilator and Death made the same impact on us.


Not only you covered Mercyful fate, Sacral Rage heralds that influence all over the new album, among some US metal or power metal of course, when composing the instrumentals, did you have in mind to sound like king diamond or was it something that evolved automatically at the time of each composition?

The latter I would say. As said before we don’t try to sound specifically like one or two bands of our influences. We want this to come naturally out of our songs. Of course we knew that certain parts had the King and Mercyful vibe but we didn’t force it. To tell you the truth, we are extremely horny when something like that happens not only with the King but generally.


How was the process of creation of the new album? Was it easier now that you got more experience, than the first Ep?


On the contrary it was way more difficult because we had to overcome ourselves. I believe we achieved that by far. When we composed Deadly bits we didn’t had people expecting our album so it was an easier process. But now we had to satisfy both ourselves and the listener who knew what we offered through our Mini Cd. Also all of our recent songs are way more complex, weird arrangements. This in itself requires more focus and “Discipline”.


How is the general feedback from the media?

Very good judging by the fact that the press towards new bands is very circumspect. The only thing is that many are confused regarding the style we are playing and our influences. You can read in some zines that we are playing US metal while in others Heavy metal, Prog Metal , Thrash metal etc. The average of the reviews is great!



The vocal parts are really high pitched at some parts, sometimes pure theatrical performance and really powerful also at some points, are you happy with the result?

Yeap , I am extremely happy because Dimitris really surpassed himself both in terms of composition and performance .He has a unique voice and just like the rest of the band, he has his own style without copying any of his mentors. Especially in our times where everyone tries to sing like Dickinson, Dio or whoever.



How do you feel when performing live such a large range of vocal quality in terms of low to high pitched style?

There is always a stress about my throat's condition. For this kind of vocals it should be at a perfect state. But whether it is or not when I let myself into madness the result is always the same, screams coming out from outer space, high pitch terrorism destroying the stage.



I think one of your best tracks is en cima del mal, but the song that defines your sound better is Lost chapter E: Amarna's reign, what's your favourite song from the new album?

Again this is too hard to tell because it is really too soon to answer that. If you put a gun in my head though, I would probably say the twins (Sutratma, Amarna’s). The thing about En cima is that this is a kind of a standard heavy metal tune (catchy chorus , normal structure etc). So that’s why many people say that this is their favorite. I really love this song but I believe that there are others that deepens more as far as composition, instrumentation concerns. Amarna’s on the other hand has all of our elements. It is dark, progy, technical, extreme.




How is it going with the tour after the release of Illusions in infinite void?


We have already been added to Belgium’s Heavy sound festival’s line up and we are scheduling some extra shows in Greece. We are on the talks for a tour but it’s too soon to tell anything. We are open to play everywhere, so spread the word!!



How do you feel when you see that bands like Fist, Ostrogoth or The Rods are going to share stage with you?

Feeling AWE!! We are extremely proud to share the stage with these legends. It never really crossed our minds that there would be a day that we would support these bands. We have to be prepared and play a good show haha.


Which band could you choose to share stage with, in the future?

Well: Watchtower, Nasty Savage, Armored Saint. Fuckin’A !!


Can you tell me which country is your favourite for a concert?

Well, we have only played in Greece and Cuprous so there couldn't be a proper answer to this. I am sure though that the English grounds will be killer for a gig!!


Describe your most special moment from the last tour.

Although we didn’t actually toured but made one-off gigs, I would choose the show we did with Jag Panzer, there were lots of energy, and it was really intense and also met our heroes (Really cool guys). Also the Power of the Night Fest in Cuprous was really great experience.



Are you gonna hit the UK in this upcoming tour?

We really would like to do so!!! We know there are many people who dig us but we haven’t spoken with a promoter yet. Time will come to visit the island and taste the grounds who gave birth to Heavy Metal!!


Are you getting better promotion now that you signed with Cruz del Sur records?

So far so good they say. Right From the beginning of our course with Cruz, we can see lots of interest for us. So I guess he is the right man! He is doing great job really. Our madness has been spread almost everywhere and this is thanks to Cruz del sur.


Bands like mausoleum gate or convent guilt are also with Cruz del Sur, do you know them?

Oh yeah! Mausoleum Gate did a great job with their full length. For Convent Guilt, I am not familiar but going to check them asap. Also I met the guys from Magister Templi. Another great Cruz del sur band and their singer is a great guy!!


There are many new bands next KIT that will be reference for the true metal scene, Cobra, Mausoleum gate and Sacral Rage are among this bands, how do you feel about playing in this festival?

When we first heard that we are playing at KIT, we couldn’t believe it. It is a huge Honor for us that the headquarters at KIT chose us as the new act that’s playing. This is the biggest possibly underground festival in the more classic oriented sound. The lineup is killer as always so we will try to give the most of our madness and craze to all of you.



Finally please send a message to your fans!


Salutes to all of you and we hope to make you part of our madness soon enough!! Thanks for this interview.
Support METAL not trends!!
Cheers !!!



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music


Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Sunday, 8 March 2015

REVIEW OF THE ALBUM ILLUSIONS IN INFINITE VOID BY SACRAL RAGE (10/03/15)



Sacral Rage is a speed metal band from Greece formed in 2011, they have released their first EP Deadly bits of Iron Fragments last 2013, getting known worldwide by true metalheads and receiving also positive feedbacks. After a demo last year Sacral Rage signed with Cruz del Sur records.

  Finally they releasing their first full length the next 10th of March, and the Greeks are on the right path with influences from the technical speed metal characterized from bands like Agent steel or Oliver magnum but with a dark symphonic essence all along the album, bringing memories from King Diamond, also progressive and thrash metal drippings allow Sacral Rage to create their sound effectively; the guitars and drums work very well using technical details with symphonic melodies and palm muted riffs together with complex drum patterns, combined with a high pitched vocals, clean in general but without hesitating making it sharp and aggressive at some points.



The intro Harbringer opens the album to explode in one of the best tracks of the band, En cima del Mal, as the technical palm muted guitars bangs in a totally headbanging track, fast paced speed metal combining changes of vocal styles, sharp low and clean high pitched shots leading to a powerful chorus to follow with Lost chapter E, Sutratma introducing mid tempo galloping, progressive drum and guitar parts changing to thrashy and dark melodic sections in a more theatrical song linked with Panic in the Urals (burning skies) where the thrash styled instrumentals take over the clean vocal style, the interpretation here is outstanding as it brings you to the headbanging action with multiple rhythm changes even adding some Iron maiden drippings.

Waltz in madness explodes in a speed thrash metal with ascending intensity including ultra high pitched vocal parts, changing rhythms constantly with remarkable performance on the drums, followed by Into mental east, mid tempo progressive influenced instrumental track with virtuous guitar riffs and technical drumbeats.

Continuing the good level of technical instrumentals is the turn of Inner sanctum asylum, good bass touches here as the theatrical act of the vocalist enrich the experience with low pitched and sharp parts as a Tyrannous revolt explodes like a palm muted speed power metal masterpiece, the harmony between guitars and vocal melodies on verses are exceptional as the visceral restless pace reminds to Tyran pace.

Lost chapter E Amarna's reign is the last in line and it heralds the speed metal velocity, the composition also evokes the powerful speed thrash melodies,with dark symphonic sections and outstanding vocal qualities, basically encapsulate the band's sound; but don't stop playing this track after the silence starts, there is a hidden Instrumental part at the end (after the minute 10) where the band demonstrates also a short good lesson of oldschool doom metal to end the album.

Illusions in infinite void will delight true metal fans of King diamond and Judas priest, they got the power and aggression that makes you jump to the mosh pit, boosted with remarkable technical instrumentals and complex and impressive compositions.

9/10



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music

Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Wednesday, 15 October 2014

REVIEW OF THE ALBUM INNER CITY WOLVES BY JOHNNY TOUCH



Johnny Touch is a Traditional Heavy-Speed metal band from Victoria, Australia, formed in 2008 and releasing their first demo in 2010 and a couple of splits in 2012 and 2013, to finally sign with Shadow Kingdom Records releasing their first and very awaited full length called Inner City Wolves

The current line up consist in Pahl Hodgson as Lead Vocals, Jamie Whyte on Lead Guitar, Inphiltrator on the  Bass Guitar and Denimal on drums.


Johnny touch combines a style taken straight from the true metal flames from the 80s, being quite appreciable elements of Judas Priest, Dio or Maiden, among essential touches from the NWOBHM, also enhanced with technical instrumental patterns where guitar shredding and detailed drum compositions are melted on the band's soul, special mention to the high pitched and sharp vocal style,remembering cult bands like Oliver Magnum and creating the basic environment to be included in the true metal scene like bands such as Metal law, Razorwyre or Air Raid among others, becoming part of this huge explosion of true metal worldwide.

The album starts with It's alright, perfectly follows the description of the style above, pure 80s heavy metal, non-stop headbanging piece with an excellent performance on the vocal parts with high and low pitched parts continued by The Metal embrace, curiously bringing good memories from the Dio hit We Rock, but evolving in a darker and more aggressive structure, the vocals are well backed and the chorus is catchy and really effective.

Lady stutter goes in ascending intensity from acoustic to a mid tempo melodic ballad, great play on the vocals, the technical drums and guitar shredding, but what its superb from this track is the progression, with galloping pulse evolving to an epic ending.

Radiation axeposure takes to the limit the exceptional qualities of the guitar shreddings, being a pure demonstration of guitar virtue as Dishonourable discharge explodes like a pure speed metal bomb taking the listener to the pit with a really good harmony within all band members, this time the band use some power metal drippings, becoming one of their best acts.

End of daze acoustic ballad entry is soon accelerated to a really well composed song, with solid and technical structure linked with Bitch of a son, another mid fast pulsed anthem of breathtaking headbanging action.

Finally Black Company is full of melancholic melodies in slow to mid paced rhythms even with doom side drippings, offering a high contrast when sadness is transformed to aggressiveness and vice versa; not on their best acts but still good though.

Inner city wolves by Johnny touch is really an exceptional album, containing good technical details, and well feed by the 80s true metal scene, remarkable the Oliver Magnum similarities, that's a really good point. Every single tracks is excellent, obviously they need to improve the compositions and the choruses to be on the top of the scene, but they are taking the right path, can't wait to see what these guys are able to do in the future!


8,5 / 10

Links

Facebook
Myspace
Official website
Released by Shadow Kingdom Records


Support the band by purchasing the album, click the link below


Post by Daniel Ortiz
Metalheads Union
Metalheads Union FB

Thursday, 7 August 2014

REVIEW OF THE FIRST ALBUM BY NIGHT


Night are a classic heavy metal band from Sweden formed in 2011 and released two singles in 2012 and 2013 followed by the full length Night, released in November 2013 via Gaphals records, receiving numerous great feedback from the media! Their style can be timed back to the mid late 70s with influences from Judas Priest and early NWOBHM bands like Angel Witch or Samson developing both hard rock and authentic heavy metal melted at perfection. 


The album explodes with one of their heaviest anthems, Fire and Steel, taking the genuine sound of the Judas priest British steel era mixed with sharp angry high pitched vocals leading to a headbanging chorus to scream on the gigs; linking this bomb, the main hard rocker-early heavy metal riff of Gunpowder Treason start to sound in crescendo with a forceful mid tempo pulse, one of their best tracks of this album, awesome bridge and really effective chorus!
Following the same headbanging rhythm, Out of the ashes, comes to light created to be a heavy metal hymn; the vocals keep standing in the same high pitched level but this time the sharp style leads to a cleaner vocal techniques, reminiscences of early Judas priest on the instrumental, memories of Cheater from rocka rolla album, that's great!



Running in the night main riff reveals a mid fast tempo headbanging pulse always in harmony with the high pitched vocals, remarkable touch on the drums and the chorus, this track is well linked with Taking you Down where they use the same combo but adding a really intense chorus and an exceptional instrumental with an in-crescendo structure.

Hang 'Em High hard rocker start is amazing as it twists the style bringing you the heavy metal glory on the bridge and chorus in this mid tempo anthem, taking you to the final tracks of the album where the hard rock goes a little behind  with Stand Your Ground being again a mid tempo track but with a instrumental gone wilder than before specially at the second half of the song where the vocalist make an outstanding interpretation with sharp high pitched forceful verses.

But don't breath yet, Play it Loud explode like a bomb with the faster tempo hard pounding drumbeats, the composition is awesome as the bridge takes you up to the chorus leaving you banging your head as you shout it Play it loud! And now its the turn of Into the Night, probably the heaviest track together with Fire and Steel, the drums take a rhythm seen before on tracks like Rapid Fire by Judas Priest,  now every member of the band is in harmony, the composition is something extraordinary, astonishing the guitars how evolve from bridge to chorus, encapsulating the band's style.

The last track of the album, Keep the Fire Burning, heralds a mid tempo galloping pulse really well forged leaving the sensation of being a solid composition in harmony with the rest of the album but losing some fuel after the last two metal missiles.

Overall Night created an awesome album, where hits like Gunpowder Treason, Fire and Steel or Into the night will be recognised masterpieces, the instrumental is perfect and influenced by the roots of heavy metal, drinking from the same chalice of 70s and specially 1980 British Steel Judas Priest or Dio and having reminiscences of Oliver Magnum. The production is great also, being their first full length is outstanding the sound they have managed, the level of inspiration in this band is truly high and it will be the key of leading the torch of the new wave of classic heavy metal.

8,5 / 10