Monday, 22 September 2014

REVIEW OF THE ALBUM METAL BRIDGE BY WARRANT


Warrant is a speed heavy metal band from Germany formed in 1983 and released the masterpiece of the genre The Enforcer in 1985, underrated at the moment but becoming a cult speed metal album for all true metalheads around the world.

Warrant are due to release the new full length after 29 years, the next 31st of October, now the band's sound is cleaner with a better production, in general terms the original elements are still there but after all these years the influences have driven the band to create power metal structures, involving more modern drippings.



After an epic instrumental introduction, Asylum accelerates the drums pounding rhythm and changes the pace to a fast and mid tempo  pulse,  remarkable vocals being wild and aggressive with a sharp mid high pitched style continuing with Come and get it, the modern power metal sound combined with speed metal style of the old times, easy chorus to shout on the gigs and a rising pulse progression are the strong points.

You keep me in hell rises to the high speed strong pounding drums, releasing an astonishing epic  feeling, revealing a masterpiece in the album, the chorus is the best one encapsulating the real metal bridge unifying the old and new Warrant style, linked with Blood in the sky, keeping the pace in tempo, mid pulse rhythms with a headbanging structure and the chorus are a great combo here.

Face the death heralds another power metal fast tempo shot adding drippings of thrash metal on the structure and also on the vocal composition combined with a remarkable melodic pattern, as All the king horses comprises a double pedal mid tempo pulsed heavy power metal developing a catchy long hymn as a chorus with a good progression and harmony on the verses.

Nyctophobia evolves with a combination mid fast tempo power metal very well composed track, the progression is outstanding and will be a perfect bomb for the gigs, resulting in one of the most head banging missiles of the band.

Helium head explodes from the silence to a thrashy twisted hard rocker pulse in a forceful interpretation on the vocals that mixes very well the aggressive side and the melodic chorus and bridge with some Iron Maiden elements in it, excellent guitar solo with hard rock feeling along with a double pedal drums, with qualities also present in Don't get mad get even, bomb that will wake up the attention of old warrant fans starting like a speed metal missile as the vocals start in crescendo to one the best bridge and chorus of the album.

Eat me alive is a good example of the combination of old and new Warrant as the verses and instrumental herald the wild riveting speed metal and the catchy chorus present the modern elements, a good highlight of this new album to be followed by Immortal evoking the great speed metal from the old times with a similar structure as The enforcer, one of the best of the album including the most forceful solo around.
The enforcer 2014 and Order of death 2014 are the re recording of  the hits from their 1985 gem of metal, the attitude is presented intact as the performance sounds true and wild, with the epic elements missing in most of the new songs, better quality on the production obviously, they mark a way to follow in the path of the true metal.

After all this demonstration of speed, power, thrash and heavy metal the Labyrinth of the lost finalize the record, as an instrumental highs and lows of intensity that shades to the silence.
.

Warrant returns after so long and their style continues the legacy of such a true metal band, the result is excellent, keeping in mind the long time in the shadows, the modern influences are normal but still on the true metal line, despite not being on the same level as the enforcer by far, Metal bridge is a powerful heavy metal creation forged with the immortal flames of the roots of the speed metal.


8  / 10



RELEASED BY PURE STEEL RECORDS




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Post by Daniel Ortiz from Metalheads Union Webzine and Metalheads Union FB

Saturday, 20 September 2014

REVIEW OF RISE AND RIDE BY STALLION + TOUR DATES



Stallion is a German speed heavy metal band formed in 2013, releasing their first demo with two tracks in June 2013 and the Ep "Mounting the world" in September 2013,

 Rise and ride is their debut album released on 12th September 2014, after the excellent EP that took them, in one year of life, to the front of the NWOTHM scene

Stallion sound is a demonstration of true metal combining the best Classic style of Judas Priest and Accept adding speed power metal drippings from Tyran Pace and Agent Steel; and also clearly influenced by the Canadian speed metalians Skull Fist on melodies, guitar shredding and riffs.



The album starts with the tittle track Rise and Ride, creating a crescendo riff and mid fast pulse that introduces you to the head banging action at the very first minute, high quality sound and palm muted riffs backing a combo of high pitched clean and sharp vocals; true wild metal with a catchy chorus to be shouted at the gigs, bringing memories of Hail and kill by Manowar.

Without a break the band kick in with Wild Stallions, another outstanding masterpiece of speed heavy metal created for true metalheads, these guys know you will rise your fists in the air with a true metal feeling all over, excellent on the chorus and the pulse changes that will leave you breathless for Streets of sin, taking some early Judas Priest elements on the main riff, in a good mid tempo strong pounding rhythms, pure classic heavy metal track connected with Stigmatize, taking back the power and the fury of a high speed pulsed metal, wild and impulsive guitar riffs, solos and vocal melodic elements from Tyran Pace.

The first half of the album is completed with the hit of the band Canadian Steele, the masterpiece that took their first EP to be known worldwide, a pure speed metal gem headbanging from start to finish combining some Skull Fist shredding style and of course the excellent high pitched vocals twisted with clean and sharp harsh combo make this track one of the best of the band's history.

Bill to pay introduces a hard rocker-classic heavy metal style combining a clear German style taken from Accept, even the vocals evokes this specific vibrato technique Udo uses, remarkable palm muted guitar background combo with sharp melodies on the solo as the rhythm of Watch out breaks in offering one of the most melodic vocals interpretation of the album, bringing memories of bands like Enforcer or Skull Fist on the hole sound of the track.

The pulse accelerates to another forceful speed metal track with power metal drippings in The right one, liberating true metal energy once again, denoting the attitude of the band and encapsulating their own style at perfection combining great changes of rhythm, powerful melodies and catchy bridges and chorus.

The devil never sleeps heralds a mid tempo anthem performed along a constant high pitched vocals, great sophisticated instrumentals with changes of rhythm (did you also recognised the first verses of Forever by Y&T in this track?), great shot that takes you to the last track Wooden
Horse, in a mood for some melodic hard rock drippings but keeping the essential true heavy metal of the band, awesome vocal interpretation here as he uses again Udo techniques mixed with clean high pitched parts, guitar melodies make it so epic creating the perfect ending.

Stallion must be very proud of their first album, forged from the roots of the metal god styles, holding the flame of true metal high, these wild Stallions have arrived, and are here to stay!


9 / 10


Stallion is comprised by Pauly (vocals), Axl (guitar), Oli G. (guitar), Nicki Schnicki (bass) and Aaron (drums).

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2014-09-19 GERMANY Wiesau, Storm Crusher Festival 
2014-09-20 GERMANY Munich, Backstage Halle
2014-09-21 ITALY Milan, Barrio’s Club
2014-09-22 SWITZERLAND Zurich, KOMPLEX CLUB 
2014-09-23 FRANCE Luynes, Aix Le Korigan 
2014-09-24 SPAIN Barcelona, Razzmatazz 3 
2014-09-25 SPAIN Valencia, Rock City
2014-09-26 SPAIN Madrid, Sala Live 
2014-09-27 SPAIN Zaragoza, La Casa del Loco 
2014-09-28 SPAIN Erandio, Sala Sonora
2014-09-29 FRANCE Paris, Glazert 
2014-09-30 BELGIUM Antwerpen, Kavka
2014-10-01 NETHERLANDS Tilburg, Little Devil 
2014-10-02 GERMANY Stuttgart, Cann 
2014-10-03 GERMANY Siegburg, Kubana 
2014-10-04 GERMANY Bochum, Matrix
2014-10-05 GERMANY Frankfurt, Nachtleben (DE)
2014-10-06 CZECH REPUBLIC Prague, Storm Club 
2014-10-07 AUSTRIA Wien, Escape 
2014-10-08 GERMANY Erfurt, From Hell
2014-10-09 GERMANY Berlin, K17 
2014-10-10 GERMANY Hamburg, Markhalle 
2014-10-11 GERMANY Tauberbischofsheim, Sporthalle Dittigheim
2014-10-12 GERMANY Lindau, Vaudeville 
2014-10-25 GERMANY Brauschweig / Germany, Schabreu
2014-12-06 GERMANY Waldbronn, Soundcheck One
2015-01-23 GERMANY Leipzig, Hellraiser
2015-01-24 GERMANY Essen, Turock
2015-06-04 GERMANY Geiselwind, Out & Loud Festival


Produced by High Roller Records


Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Wednesday, 17 September 2014

REVIEW OF THE ALBUM LET DESTRUCTION BEGINS BY STRANGER BLAZE





Stranger Blaze is a speed thrash metal band from Mexico formed in 2010 by Eliud Urdiales (vocalist) and Albert Garcia (former guitarist), step by step creating the band's sound and eventually changing members until the release of their first EP Let destruction begins in 2011 touring nationally and after changing guitarist adding Brandon Reyes the release of their first full length Let destruction begins came to light in july 2013, touring Mexico and Colombia and receiving great recognition nationally and internationally.

Stranger Blaze is actually working in their second album, Soulbreaker.

The band is finally comprised by Alberto on the bass, Eliud on the vocals, Adolfo Sanchez on the drums and Brandon on the guitar.

Prayer of tyrants opens the album with one of the best creations of the band with a straight fast tempo speed thrash metal missile that alternates from slow to mid and fast pulsed rhythms, the composition is excellent and the harmony is nearly perfect by all members of the band, taking you to 2010 the prophecy, heralding a typical thrash pounding rhythm adding a clear speed metal riff, strong and straight harsh vocals on mid and high pitched shots are the ingredients that will take you to the moshpit right away.


Lacking of reason evokes the mid tempo thrash pulse seen on Metallica style, creating a catchy chorus and deserving to be another top track of the band perfectly linked with Assassins letter, track that combines an early Metallica style with strong vocal shots, losing grip on the cleared vocal parts but still riveting like hell on a rhythm changing instrumentals.

Death machine is created effectively with three different pure old-school thrash metal riffs, simple and headbanging, this track doesn't need anything else, its just as wild as thrash should be and with no break links to No fear, excellent track that goes increscendo to another catchy true thrash metal rhythm, on the pace of the band's average which is great already, this song is stronger and the vocal hateful shots are just outstanding.

Above the nations attack you with no mercy in another moshpiting true speed thrash bomb, on the line of bands like Razor or the recent Evil Invaders, the chorus come from within forceful verses like a strike from a hammer.


Rage is the most convenient name for this song, releasing a bomb of mid tempo hate with an excellent interpretation continued by the last track on the list, Thrash demolition, explodes with true thrash force in an anthem that will be a masterpiece of the genre, combining Exodus and Slayer best styles, the best track of the album that will kill you on the moshpit wrecking your  necks with this furious mass destruction attack, just astonishing my friends.


Stranger blaze take the roots of thrash metal to create a mass destructive thrash metal attack with this album, the production is not the best, but eventually will improve because the great quality of the compositions, simple but really effective!

7,5 / 10




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Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Saturday, 13 September 2014

REVIEW OF THE ALBUM THE PROPHECY BY FORENSICK


Forensick is a traditional heavy metal band from Southern Germany, founded in 2010, the style lies between the melodic heavy metal and early power metal drippings, on the line of bands like Praying Mantis, Saracen, Tygers of pan tang or Bronz, forging a world of mid tempo pounding rhythm patterns, sophisticated compositions combining melodic clean mid range vocals with falsetto high pitched parts.
 Forensick is comprised by Tobias Hubner on the vocals, Stephan Vogt and Matthias Ehmig on the axes, Andreas on the bass and Julian Rocco on the drums. The band released their first album in 2012 having really positive feedback by the media like Metal Hammer or Rockhard Magazine. The Prophecy is their second full length and was released in July 2014 under Pure Underground Records.

The album opens with Hero of the day, developing a good galloping introduction leading to an excellent bridge and one of the best composed chorus of the album linked with a gem of the new wave of traditional heavy metal pure style, Doomsday machine, probably the most memorable verses of the band, so epic composition with changing pulses will make you bang your heads, specially in the fast paced solo.

A hard rocker riff introduces the track Dark secret, cached between melodic hard rock and heavy metal worlds, a mid tempo epic song with an outstanding composition and excellent changes of vocal lows and high pitched parts, linked with time of resistance, opening an increscendo missile of pure classic heavy metal, a real masterpiece with forceful straight vocal parts mix with the usual melodic style creating a true epic metal atmosphere, remarkable the job on the guitars also with an excellent coordination and harmony.


Rising from the silence to another traditional heavy metal pulse When the war begins, astonishing changes of rhythm with galloping riffs and drumbeats on verses and chorus, bringing memories from the symptom of the universe by black Sabbath, clearly a top track and a highlight of the band's style.

Beast within style is on the style of the nwobhm melodic heavy metal band Praying Mantis, (remember Only the children cry or nowhere to hide songs) and boosted with a stronger side taken from the roots of the speed metal, awesome the progression in this track, continued by the ballad of this full length, Lonesome words, outstanding the vocal interpretation in this one, the feeling created is intense and powerful.

Like a shot from a gun begins the track New reality, with a palm muted guitar riff, mid fast pounding drums and a crescendo structure on the vocal part exploding in a long effective chorus, pure old school classic heavy metal sound.
The tittle track, The prophecy is the last in line, combining the hard rocker and heavy metal riffs with galloping drums, heralding the most epic verses of the album, beautiful melodic parts sign of the band, the vocals reminds me a lot to Y&T and that's something remarkably great.

The prophecy by Forensick is composed with memorable melodic moments but still cuts with a sharp edged dangerous style, like a killer melodic heavy metal raised from the roots of the hard rock and NWOBHM; it could be more aggressive at some parts in need of more action, but still an excellent creation that will be followed by legions of true metal fans.



8 / 10


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Promotion by Pure Steel Promotinos


Post by Daniel Ortiz from Metalheads Union and Metalheads Union WB

Wednesday, 10 September 2014

REVIEW OF THE ALBUM SUNSET ON THE GOLDEN AGE BY ALESTORM + TOURDATES


Alestorm is a Scottish power folk metal band formed in 2004 under the name of Battleheart, changing the name after signing with Napalm Records in 2007 releasing four albums, the last one Sunset on the golden age, was out last 1st of August 2014.

In this full length Alestorm develops their usual drink and pirate adventures themes with an epic folk power metal structure, well called pirate metal, following the steps of the masters of the genre Running Wild.




Walk the plank opens the act introducing orchestrated backgrounds in a mid tempo pulse of pure heavy metal, a good point of entry that unveils the quality of the rest of the album, aggressive and rebel attitude with a very powerful chorus, linked with one of the most catchy tracks of the band, Drink, electrifying and headbanging pirate metal to enjoy with a beer in your hand, a drinking song that even Tankard wouldn't have done better, really effective chorus to sing along at every gig.

Magnetic north heralds a mid tempo pirate ballad taking you to another far-away frozen seas adventure, amazingly intense and headbanging at some parts at the same time, linking to 1741 The Battle of Cartagena with an original 8 bit intro that explodes in a truly epic Scottish pirate metal anthem, the chorus is catchy as always and powerful, the composition is the best of the album, taking you into the battle in a first person real time story; outstanding the representation with the cannons and the crowd.

Mead from Hell and Surf Squid Warfare develops the classic pirate metal structure combining thrash-power folk metal and accordion synths in a mid fast tempo tracks, riveting from start to finish encapsulating the true Scottish pirate metal in its essence; style also performed in Quest for ships, this time with a much better performed chorus but in the line of the previews tracks, and being connected with Wooden leg! Is when we realise how fun they can be, this song contains essentially a thrash metal structure and the most simple chorus of the band, repeated again and again in the most headbanging part of the album, all this explosion of moshpiting metal is in contrast with the pop cover Hangover, taken to metal territory and performed on the only way you can enjoy it by Alestorm, a drink song to have fun, and giving it a chance is always enjoyable!

The last in line is the tittle track, Sunset on the golden age, as a long In crescendo act including orchestrated parts creating an intense atmosphere, excellent composition to finish.

Alestorm forged an outstanding album full of adventures of pirates and alcohol, just as it should be for a true pirate metal band, the highlight tracks that encapsulate this at perfection are the battle of Cartagena, drink and quest for ships, but in general all the album tracks are high quality, catchy and headbanging.

Sunset on the golden age is clearly one of the best creations of the band ever,and the production, the composition and inspiration of this record is awesome!


8,5 / 10




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ALESTORM TOURDATES 2014


With support from Brainstorm, Crimson Shadows & Troldhaugen


12.9 - Nuremberg, DE - Rockfabrik
13.9 - Bochum, DE - Matrix
14.9 - Ludwigsburg, DE - Rockfabrik
15.9 - Pratteln, CH - Z7
16.9 - Monthey, CH - Pont Rouge
17.9 - Lyon, FR - CCO
18.9 - Paris, FR - Divan Du Monde
19.9 - Trier, DE - Exhaus
20.9 - Vosselaar, BE - Biebob
21.9 - Nijmegen, NL - Doornroosje
22.9 - Hamburg, DE - Markthalle
23.9 - Wroclaw, PL - Alibi
24.9 - Warsaw, PL - Proxima
25.9 - Krakow, PL - Fabryka
26.9 - Zlin, CZ - Masters of Rock Cafe
27.9 - Budapest, HU - Barba Negra
28.9 - Graz, AT - Explosiv
29.9 - Vienna, AT - Szene
30.9 - Zagreb, HR - Vintage Industrial
1.10 - Ljubljana, SI - Gala Hala
2.10 - Brescia, IT - Circolo Colony
3.10 - Munich, DE - Backstage
4.10 - Darmstadt, DE - Steinbruch
5.10 - Eindhoven, NL - Dynamo


With support from Lagerstein, Red Rum & Rainbowdragoneyes


8.10 - Norwich, UK - Waterfront
9.10 - Birmingham, UK - Academy 2
10.10 - Sheffield, UK - Corporation
11.10 - Southampton, UK - 1865
12.10 - Brighton, UK - Concorde 2
13.10 - Plymouth, UK - The Hub
14.10 - Liverpool, UK - Academy

15.10 - Dublin, IE - Voodoo Lounge
16.10 - Cork, IE - Cyprus Avenue
17.10 - Belfast, NI - Mandela Hall
18.10 - Aberdeen, SC - Garage
19.10 - Glasgow, SC - Arches
20.10 - Bristol, UK - Bierkeller
21.10 - Manchester, UK - Academy 2
22.10 - Exeter, UK - Lemon Grove
23.10 - Reading, UK - Sub 89
24.10 - London, UK - Electric Ballroom
25.10 - Leeds, UK - University
26.10 - Cardiff, UK - Globe


With support from Moonsorrow


26.11 - Osaka, JP - Nanba Rockets
27.11 - Tokyo, JP - Club Duo Exchange


PROMOTION BY NAPALM RECORDS



Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Saturday, 6 September 2014

REVIEW OF THE ALBUM KINGS AMONG MEN BY CRIMSON SHADOWS



Crimson Shadows is a melodic power death metal band from Canada formed in 2006 releasing their first album Glory on the battlefield in 2012 and wining the Wacken metal battle in 2013 and signing with Napalm Records releasing finally their second album Kings among men the 29th August of 2014. The band comprises Cory Hofing on the drums, Ryan Hofing on the guitars and Greg Rounding on the axes and the backing vocals, Morgan Rider on the bass and Jimi Maltay as vocalist.

Kings among men album heralds an accelerated power metal on the style of Dragonforce developing a majestic epic sound in contrast with the brutal growling vocals sign of a vast death metal influence, including symphonic parts with synth orchestra instruments, this mix of styles work really well and its also combined with melodic clean vocal parts in general.

The album takes us into the action with an epic intro, March of victory, as the orchestra explodes in the powerful fast paced pounding rhythms of Rise to power, being a top track in this album and continued by Heroes among us, following same strategy in a crescendo structure, adding choirs on the background and developing a really catchy chorus, resulting in a good highlights of the band's style and a headbanging epic bomb.

A gathering of kings combines drippings of thrash metal on the verses with fast tempo power metal bridge and chorus being really effective but improved in Maidens call, combining influences from thrash and  death with the power metal soul of the band,awesome changes of pulse, so forceful missile of moshpiting metal in another top track of the band.

Braving the storm starts as a mid tempo double pedal rhythm that obviously evolves to another fast power metal shot, followed by On the Eve of battle, as another epic acoustic introduction leading to freedom and salvation, with a crescendo start and an outstanding structure, with the best job on the growling death metal vocals going high and low pitched combined with the clean melodic catchy power metal chorus, awesome harmony and interpretation of this track by all band members.

Dawn of vengeance heralds another power metal pulse with the usual combo of styles, headbanging as hell, going even melodic on the growling parts.
Moonlite skies and bloody tides follows the same pattern to end this work, forceful vocals all over, but the melodic clean vocal parts doesn't work as good as in the other songs  but the composition and structure of the track is astonishing, the instrumental parts and specially the bass solo is authentically awesome.

Crimson shadows are really in the good path with this release, the album can be a bit repetitive having all the tracks a similar structure and rhythms, but the combination of styles work amazingly well, tracks like Rise to power, heroes among us and freedom and salvation definitely encapsulates the band sound, EXCELLENT job!

8 / 10


Friday, 5 September 2014

REVIEW ALBUM RETURN OF THE REAPER BY GRAVE DIGGER + TOUR DATES



Grave Digger is a Heavy Power metal band from Germany, formed in 1980 as a speed metal band and evolved with the time to a heavy power metal band having released sixteen albums (with band name changes included) becoming one of the main heavy power metal bands on the scene. The Return of the reaper was released last July the 11th 2014 via Napalm Records featuring Chris Boltendahl as vocalist, Stefan on the drums, Katzenburg on the keyboard, Jens on the bass and Axel on the guitars.

The album start with the dark atmospheric piano of the Return of the reaper, awesomely attacked by the powerful speed metal riff of Hell funeral as one of the top tracks on the usual grave digger structure, catchy chorus and forceful riff that will make you bang your head. Wargod release a perfect synchronized palm mutes riffs with double pedal start unveiling a mid tempo fist in the air heavy metal track followed by one of the gems of this release, Tattooed rider, starting with a clear reminiscence to the synths of turbo era of Judas priest, this track develops a genuine heavy metal pulse, with the sign of the true German power metal, and an awesomely epic chorus with remarkable high pitched vocals on the background to sing along.

Ressurrection day is forged with a power progressive metal riff combining changes of pulse followed by Season of the witch, another surprise of this album, mid tempo pulse with strong guitar riffs that goes increscendo bringing memories from the warriors of the world track by manowar, but in this case combining a pure grave digger chorus, remarkable doom metal influenced bridge and outstanding composition in general and specially in the second half.

Road rage killer bring back this speed metal from within grave digger soul, headbanging track that will leave you breathless and hungry for more, and these guys are ready to attack again with Grave descrator, mid tempo heavy metal missile that keeps the pace in quality, being also awesome to play on the gigs involving band and crowd.

Satan's host take reminiscences of Motorhead on the instrumental and structure, with drippings of power metal, another demonstration of headbanging action linked with Dia de los muertos bringing an addictive mid tempo strong rhythm with drippings of hard rocker melodies.

Its the turn for a real masterpiece in the album, Death smiles at all of us, a mid fast pulsed heavy metal bomb heralding the best composed riff, developing a great harmony on the instrumental, creating changes of rhythm on verses and bridge awesomely well performed, and perfectioned with a catchy chorus to remember, being a good highlight of the album and the energy that grave digger still have.
Nothing to believe is the ballad, one of the few this band have composed; very emotive and intense, from the sad and amazingly well interpreted verses to the powerful chorus, ending in a shade to the deep silence.


Definitely this is the best Grave Digger creation since their 2003 album Rheingold, with most of the tracks being better than their average, and even though the strategy is mostly the same in their composition, in general every track will satisfy the fans hunger.
Tracks like Tattooed rider, Season of the witch and Dead smiles at all of us are the real masterpieces being better than the rest of the songs, truly highlights of the record.

The reaper is back and fully charged of speed power metal!

8,5 / 10



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Grave Digger Tour 2014


06.11.14 DE - Saarbrücken / Garage

07.11.14 DE - München / Backstage

08.11.14 DE - Andernach / JUZ

20.11.14 DE - Frankfurt / Batschkapp

21.11.14 DE - Speyer / Halle 101

22.11.14 DE - Glauchau / Alte Spinnerei

23.11.14 CZ - Zlin / Masters of Rock Cafe

27.11.14 CH - Pratteln / Z7

28.11.14 DE - Regensburg / Airport Straubing

29.11.14 DE - Lahstedt/Peine / Black Hand Inn

05.12.14 DE - Lichtenfels / Stadthalle

06.12.14 IT - Milan / House of Ashes

07.12.14 DE - Ludwigsburg / Rofa

26.12.14 DE - Berlin / C-Club

27.12.14 DE - Rostock / Moya

28.12.14 DE - Hamburg / Markthalle

29.12.14 DE - Bochum / Zeche


Promotion by NAPALM RECORDS




Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB