Showing posts with label overdrive. Show all posts
Showing posts with label overdrive. Show all posts

Thursday, 10 September 2015

REVIEW OF THE ALBUM OVERDRIVE BY RUNNING DEATH



Finally the long awaited full length from the German Thrashers Running death is out, full of improvements from their last EP Call of extintion (2012), read that review following this link.

What the listener will notice right after the first intro called It begins is the high level of technical performance on the instrumentals and that important progressive thrash feeling, Hell on Earth is just about this stuff, combining fast and mid paced sections with an excellent job by guitars and drums leaving vocals attacking with a high pitched harsh power; continuing with Psycho on the same line of fast pace but clearly more modern influence combined with strong mid tempo verses, slightly darker and melodic at some points.

Remote Controlled develops diverse riff combinations including palm muted galloping and melodic links with verses, creating headbanging parts and building a good chorus, clearly improving what we've seen on this album up to now, Simon nailed it on this one on the vocal interpretation, continuing with Close minded, reminding to those genuine Metallica riffs, being a clear influence for the band, strong palm muted shots and really good lyrics.

Raging nightmare explodes suddenly in a galloping headbanging bomb, that's pure moshpit thrash on fire, right in the middle of the album this is what a metalhead is waiting for, outstanding job on guitars and vocals, noticing the excellent production here is clearly better than their previous jobs, crystal clear drum details and bass performance, one of the best shots of Running death.

The instrumental acoustic track Deludium opens to Mercenary, creating an awesome crescendo straight away from the first second developing a mid thrash metal mayhem including progressive shots on the guitars, on the line of the general band's style serving as a good highlight of the album; linking to Pray for death, this time creating a doom/evil sound and accelerating the machinery to good speed thrash metal territories, it will call the attention of the listener in terms of composition.

But at my point of view the best is yet to come with the last three tracks of the album, starting with Reduced as a rhythm changing powerful shot, where palm muted and melodies dance around a pure thrash metal machine on drums, denoting a very intense vocal performance and enjoyable instrumentals all over the song; continuing without rest with the tittle track Overdrive as an old school thrash metal anthem creating an awesome job on drums including double pedal parts, with an insuperable Simon growling and singing in clean and sharp parts.

The last and best track of this album goes to I see a Fire, as the increscendo is being built from the darkness and evil style in quasi doom metal influence but soon exploding in the best riff of the album using palm muted parts in high sophisticated sections combined with excellent drum details, changing pace continuously until the epic end.

All in all Overdrive is a clear improvement and the best album up to date by Running Death, the production is crystal clear and the compositions are sophisticated, becoming a top class album by a professional thrash metal band.

8 / 10



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Promotion by METALMESSAGE


Sunday, 26 October 2014

REVIEW OF THE ALBUM THE FINAL NIGHTMARE BY OVERDRIVE (2014)


Overdrive is one of the classiest NWOBHM bands in early 80s, formed in 1977, the quartet developed an early heavy metal style releasing their first single On the run (1981) which became a cult material for the years to come. The first album was then released nine years later, Dishonest words, and four years later their second shot called Home sweet home (1994) taking a lull until the release of another two albums, On wizard Ridge (2005) and Three corners to nowhere one year later.

Eight years later and with the new vocalist David Poulter in the band, Overdrive released Final Nightmare via Pure Rock Records last 22nd August 2014.



The new album continues exactly this authentic traditional heavy metal style, containing drippings of 70s hard rock and a few epic elements seen on bands like Saxon. Invited to hell is a demonstration of this early sound as they perform genuine heavy metal with influences, the chorus is really headbanging and catchy as the hard rocker Twice shy come to scene developing a late 70s strong pulsed mid tempo, the progression is excellent, alternating slow and mid paced drum beats and introducing keyboards in an excellent harmony.

Glass game heralds a never-ending headbanging structure, the mid tempo rhythms are one of the best of the band, and is also remarkable the work on the instrumentals, guitars and keyboards strike forcefully and linking the action to an increscendo track, Twisting my mind, creating one of their best chorus, vocal sounds even bring memories from Udo in his cleanest techniques, guitar performance is outstanding and well played along with the keyboards, showing a good instrumental fight, style also seen in Nightwalker, with a more modern influence but still under the old school patterns.

Wasted begins so powerful like a neck breaking blast of fast paced heavy metal, definitely a true masterpiece that will involve the crowd in every gig, with an addictive riff and chorus continued by Lost on a mountain, keeping you up again with some melodic strong pounding heavy sound being another highlight in the album.

Taken Young develops a really rich composition in an ascending intensity path, mastering a really good performance on the instruments harmony, curiously brings me memories from a unreleased track by Judas Priest called Mother sun, the orchestra with violins and piano forge a really powerful ballad and the neoclassical style at the end make it a masterpiece of the band.

The final nightmare end the album, creating a dark atmosphere evolving in an addictive riff, vocals work again on the epic side even showing a high theatrical performance level, the guitar and keyboards construct a really solid and rich sound, leading to an astonishing ending.

Overdrive came back stronger than ever and eight years after their last album, its unbelievable how these guys manage to keep the essence of their sound in early eighties, if you don't know this is new stuff you probably time this album immediately after their first single in 1981,

definitely this is a good lesson of classic heavy metal made for true metalheads, as overall the final nightmare is an excellent album that must be in the collection every NWOBHM fan.

9 / 10


Links



Overdrive are

Ian Hamilton Bass, Vocals, Vocals
Mr. Scratch "Animal" Padgett Drums
Tracey W. Abbott Guitars
Tim Hall Keyboards, Vocals
David Poulter Vocals


Released by Pure Rock Records, part of Pure Steel records




Post by Daniel Ortiz


Support the artist, but the album!