Showing posts with label thrash. Show all posts
Showing posts with label thrash. Show all posts

Tuesday, 28 April 2015

REVIEW OF THE EP LAND OF OLD BY ELDERTALE


Eldertale is a melodic folk metal band from Ukraine formed in 2005 but being more active since 2012, releasing their first EP in June 2014, they deliver a pure folk pagan metal, adding some neoclassical drippings and powerful moments, creating in general rich structures in terms of composition as melodic instrumentals and growling vocals are the common strategy for this headbanging EP.


The band break the ice with Exile, as the choirs mark the powerful entry of complex drumbeats and melodic background with an excellent composition on the verses, really intense and good crescendo part at the end; this track defines perfectly the band's sound.

Land of Old might be one of the best tracks of this style I've ever listened, it starts with an instrumental orchestrated melody, the composition is outstanding. Then this intense shot goes increscendo, adding army marching rhythms on drums, to literally explode in a headbanging anthem, vocals and instrumental are in perfect harmony and the transitions between changes virtuously made, the lyrics also are powerful and the melodic growling voice are the best in the EP, also remarkable rhythms on the drums with drippings of power, thrash and death metal, bass is also excellent on the solo; the perfect highlight of what this band is capable of.

Finally the EP closes with Time of ancient, mid tempo traditional folk pagan metal, as seen on the rest of the material, this track follows the path of adding melodic power metal structures, piano and orchestrated parts are, again, amazingly well composed.


Eldertale first EP got a crystal clear production, it's headbanging from start to finish, the compositions are sophisticated including catchy melodies and awesome orchestrated parts, drums should have more presence next time, but the final result is overwhelming, just can't wait for the full length!



9 / 10





Line up 
Alexander Desyatnichenko Drums
Eugene Belozertsev Guitars, balalaika
Josh O.Berg Keyboards, choirs
Kirya Vocals, guitars, bass, choirs


Links



Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Thursday, 16 April 2015

INTERVIEW WITH SACRAL RAGE (MARIOS AND DIMITRIS)



After releasing their first album with Cruz del Sur, Sacral Rage and their Illusions in infinite Void are getting known worldwide by true metalheads, so finally I had the chance to have an interview with guitarist Marios and vocalist Dimitris. If you'd like to check the review please click here




Hi guys! Thanks for your time and also thanks to Jan from sure shot worx for making it possible.


First of all lets talk about the history of Sacral Rage, why did you come up with that name? What different metal styles have you been influenced when the band was formed?

Greetings to all of you!!

We started on the last month of 2011 and since then we have 2 official releases and a couple of demos/promos. The mini Lp “Deadly bits of iron fragments” by Eat Metal Records in 2012 and the full length “Illusions In Infinite Void” in 2015 by Cruz Del Sur on cd and Underground Power Records on vinyl.

You can liken the name as follows: The “Sacral” element stems from the darkness, paranoia and madness we breathe while the “Rage” arises from our lethal speed and rhythm attack.

The style and vision haven’t changed although it evolved a lot. We still bow down to bands like Judas Priest, Rush, Crimson Glory, Watchtower, Nasty Savage. Just like the “old” days.



Seeing the result of this combination of styles, what bands could be the major influence for Sacral Rage?

Too hard to answer that. The only thing I can tell you is that all of our influences, subconsciously rise through our songs and we don’t have a certain band in mind when composing stuff. Of course there are certain bands that we have in the back of our minds but As much as we are influenced By Rush and Mercyful Fate evenly Annihilator and Death made the same impact on us.


Not only you covered Mercyful fate, Sacral Rage heralds that influence all over the new album, among some US metal or power metal of course, when composing the instrumentals, did you have in mind to sound like king diamond or was it something that evolved automatically at the time of each composition?

The latter I would say. As said before we don’t try to sound specifically like one or two bands of our influences. We want this to come naturally out of our songs. Of course we knew that certain parts had the King and Mercyful vibe but we didn’t force it. To tell you the truth, we are extremely horny when something like that happens not only with the King but generally.


How was the process of creation of the new album? Was it easier now that you got more experience, than the first Ep?


On the contrary it was way more difficult because we had to overcome ourselves. I believe we achieved that by far. When we composed Deadly bits we didn’t had people expecting our album so it was an easier process. But now we had to satisfy both ourselves and the listener who knew what we offered through our Mini Cd. Also all of our recent songs are way more complex, weird arrangements. This in itself requires more focus and “Discipline”.


How is the general feedback from the media?

Very good judging by the fact that the press towards new bands is very circumspect. The only thing is that many are confused regarding the style we are playing and our influences. You can read in some zines that we are playing US metal while in others Heavy metal, Prog Metal , Thrash metal etc. The average of the reviews is great!



The vocal parts are really high pitched at some parts, sometimes pure theatrical performance and really powerful also at some points, are you happy with the result?

Yeap , I am extremely happy because Dimitris really surpassed himself both in terms of composition and performance .He has a unique voice and just like the rest of the band, he has his own style without copying any of his mentors. Especially in our times where everyone tries to sing like Dickinson, Dio or whoever.



How do you feel when performing live such a large range of vocal quality in terms of low to high pitched style?

There is always a stress about my throat's condition. For this kind of vocals it should be at a perfect state. But whether it is or not when I let myself into madness the result is always the same, screams coming out from outer space, high pitch terrorism destroying the stage.



I think one of your best tracks is en cima del mal, but the song that defines your sound better is Lost chapter E: Amarna's reign, what's your favourite song from the new album?

Again this is too hard to tell because it is really too soon to answer that. If you put a gun in my head though, I would probably say the twins (Sutratma, Amarna’s). The thing about En cima is that this is a kind of a standard heavy metal tune (catchy chorus , normal structure etc). So that’s why many people say that this is their favorite. I really love this song but I believe that there are others that deepens more as far as composition, instrumentation concerns. Amarna’s on the other hand has all of our elements. It is dark, progy, technical, extreme.




How is it going with the tour after the release of Illusions in infinite void?


We have already been added to Belgium’s Heavy sound festival’s line up and we are scheduling some extra shows in Greece. We are on the talks for a tour but it’s too soon to tell anything. We are open to play everywhere, so spread the word!!



How do you feel when you see that bands like Fist, Ostrogoth or The Rods are going to share stage with you?

Feeling AWE!! We are extremely proud to share the stage with these legends. It never really crossed our minds that there would be a day that we would support these bands. We have to be prepared and play a good show haha.


Which band could you choose to share stage with, in the future?

Well: Watchtower, Nasty Savage, Armored Saint. Fuckin’A !!


Can you tell me which country is your favourite for a concert?

Well, we have only played in Greece and Cuprous so there couldn't be a proper answer to this. I am sure though that the English grounds will be killer for a gig!!


Describe your most special moment from the last tour.

Although we didn’t actually toured but made one-off gigs, I would choose the show we did with Jag Panzer, there were lots of energy, and it was really intense and also met our heroes (Really cool guys). Also the Power of the Night Fest in Cuprous was really great experience.



Are you gonna hit the UK in this upcoming tour?

We really would like to do so!!! We know there are many people who dig us but we haven’t spoken with a promoter yet. Time will come to visit the island and taste the grounds who gave birth to Heavy Metal!!


Are you getting better promotion now that you signed with Cruz del Sur records?

So far so good they say. Right From the beginning of our course with Cruz, we can see lots of interest for us. So I guess he is the right man! He is doing great job really. Our madness has been spread almost everywhere and this is thanks to Cruz del sur.


Bands like mausoleum gate or convent guilt are also with Cruz del Sur, do you know them?

Oh yeah! Mausoleum Gate did a great job with their full length. For Convent Guilt, I am not familiar but going to check them asap. Also I met the guys from Magister Templi. Another great Cruz del sur band and their singer is a great guy!!


There are many new bands next KIT that will be reference for the true metal scene, Cobra, Mausoleum gate and Sacral Rage are among this bands, how do you feel about playing in this festival?

When we first heard that we are playing at KIT, we couldn’t believe it. It is a huge Honor for us that the headquarters at KIT chose us as the new act that’s playing. This is the biggest possibly underground festival in the more classic oriented sound. The lineup is killer as always so we will try to give the most of our madness and craze to all of you.



Finally please send a message to your fans!


Salutes to all of you and we hope to make you part of our madness soon enough!! Thanks for this interview.
Support METAL not trends!!
Cheers !!!



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music


Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Sunday, 8 March 2015

REVIEW OF THE ALBUM ILLUSIONS IN INFINITE VOID BY SACRAL RAGE (10/03/15)



Sacral Rage is a speed metal band from Greece formed in 2011, they have released their first EP Deadly bits of Iron Fragments last 2013, getting known worldwide by true metalheads and receiving also positive feedbacks. After a demo last year Sacral Rage signed with Cruz del Sur records.

  Finally they releasing their first full length the next 10th of March, and the Greeks are on the right path with influences from the technical speed metal characterized from bands like Agent steel or Oliver magnum but with a dark symphonic essence all along the album, bringing memories from King Diamond, also progressive and thrash metal drippings allow Sacral Rage to create their sound effectively; the guitars and drums work very well using technical details with symphonic melodies and palm muted riffs together with complex drum patterns, combined with a high pitched vocals, clean in general but without hesitating making it sharp and aggressive at some points.



The intro Harbringer opens the album to explode in one of the best tracks of the band, En cima del Mal, as the technical palm muted guitars bangs in a totally headbanging track, fast paced speed metal combining changes of vocal styles, sharp low and clean high pitched shots leading to a powerful chorus to follow with Lost chapter E, Sutratma introducing mid tempo galloping, progressive drum and guitar parts changing to thrashy and dark melodic sections in a more theatrical song linked with Panic in the Urals (burning skies) where the thrash styled instrumentals take over the clean vocal style, the interpretation here is outstanding as it brings you to the headbanging action with multiple rhythm changes even adding some Iron maiden drippings.

Waltz in madness explodes in a speed thrash metal with ascending intensity including ultra high pitched vocal parts, changing rhythms constantly with remarkable performance on the drums, followed by Into mental east, mid tempo progressive influenced instrumental track with virtuous guitar riffs and technical drumbeats.

Continuing the good level of technical instrumentals is the turn of Inner sanctum asylum, good bass touches here as the theatrical act of the vocalist enrich the experience with low pitched and sharp parts as a Tyrannous revolt explodes like a palm muted speed power metal masterpiece, the harmony between guitars and vocal melodies on verses are exceptional as the visceral restless pace reminds to Tyran pace.

Lost chapter E Amarna's reign is the last in line and it heralds the speed metal velocity, the composition also evokes the powerful speed thrash melodies,with dark symphonic sections and outstanding vocal qualities, basically encapsulate the band's sound; but don't stop playing this track after the silence starts, there is a hidden Instrumental part at the end (after the minute 10) where the band demonstrates also a short good lesson of oldschool doom metal to end the album.

Illusions in infinite void will delight true metal fans of King diamond and Judas priest, they got the power and aggression that makes you jump to the mosh pit, boosted with remarkable technical instrumentals and complex and impressive compositions.

9/10



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music

Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Thursday, 29 January 2015

REVIEW OF THE ALBUM VIOLENT PROCREATION BY ENTRENCH




Entrench is a thrash metal band formed in 2005 in Sweden, releasing numerous demos before signing with War Anthem Records, bringing to light their debut album Inevitable Decay in 2010, succeeding with positive reaction from the media. After a split with Insane, the band finally released their second work last December 2014 under the name of Violent Procreation, being promoted also by FullBlast.





Entrench style comprises the old school thrash metal pulses but with blackened powerful instrumentals and harsh and sharp violent vocal patterns, drums are remarkably exceptional, changing rhythms from ultra fast black and death double pedalled influences to mid to fast paced genuine thrash, combined with palm muted guitar riffs really well composed; basically following this strategy over all tracks in the album, starting with One with agony where the speed blackened thrash explodes from the beginning with forceful vocal sections and excellent chorus.

Those who exceed follows the same path creating an addictive riff of pure thrash and drippings of death metal, also good progression going in crescendo to a mid fast tempo thrash attack, exploding without a break with Adjust to summit, another thrash anthem with death metal melodies and added epic slow parts trespassing the doom territory and ascending amazingly to mid fast technical death thrash combo.

Chemical holocaust keep the technical pace on the riff and drums, alternating mid and fast pulses, this time on the death metal pattern, leading to an excellent chorus to scream fist in the air, nonstop headbanging moshpit continued by Devoid of life, fast death thrash all the way with remarkable palm muted guitar riffs and wrathful vocals that will blow your mind.

Calm the urge explodes literally with an exceptional performance on the drums, pure speed and mid tempo thrash metal rhythms lead the act with interesting vocal sections, as the process of Annihilation continues the thrash strategy changing rhythms amazingly well,with predominant mid tempo parts, with a good harmony between great theatrical vocals and instrumentals.

The guitars of senseless slaughter well give you an idea of the patterns of this track, one of the best speed thrash metal songs of the band, finding drippings of Exumer meeting Exodus on those riffs backed by thunderous drumbeats, excellent headbanging job continued by the last song, apathetic existence, another great ascending evolution from mid to high speed thrash, with bits of death metal here and there making this another highlight of the band style.

Entrench created a really enjoyable album, excellent compositions completed with changes of rhythms, not extremely technical but headbanging from the first riff, taking you to a nonstop moshpit of genuine thrash metal that will equally delight death metal maniacs.

8 / 10

Links

Line Up

Victor Holmström (R.I.P.) (Drums)
Fredrik Pellbrink (Vocals, Guitars)
Joel E. Sundin (Bass)




Review by Daniel Ortiz from Metalheads Union and Metalheads Union FB




Wednesday, 3 December 2014

REVIEW OF THE ALBUM LOBOTOMIZED BY BIOTOXIC WARFARE (19/01/2015)



Biotoxic Warfare is a thrash / death metal band from Heraklion (Greece), formed in 2012, and releasing their first EP Baptized in blood and greed in 2013 receiving positive feedback from the media. The band went to the studio in september 2014 to record their debut album, Lobotomized, due to be released the next 19th January 2015 and signed with Slaney Records,

Biotoxic warfare sound comes from the aggressive speed thrash metal taking influences from Exodus, Kreator to Slayer, including some thrashy Venom era style, guitar melodies are feed by pure death metal structures (memories from Death or Obituary) combined with oldschool thrash riffs, followed by a technically perfect drum style, mixing thrash and death rhythms continuously in the album; vocalist give it all in every track, showing an aggressive and powerful attitude with raw harsh mid-high pitched vocals, making the whole combination a pure bomb of headbanging metal.

The album starts with a death metal feeling instrumental track, Mors indecepta, as the evil notes lead to a combo of thrash action where the drums make a remarkable job in perfect harmony with the guitar performance, being a good warm up for Proclaim the gospel of lies, this time death metal guitars riffs explode together with thrash metal drumbeats, awesome fast paced track totally neckbreaking, continued by Baptized in blood and greed, one of the best of the band, as a super fast galloping and furious thrash metal attack, with short and straight vocal shots and changes of pace with astonishing palm muted riffs.

The same headbanging fuel continues with Dysphoric Reality, genuine oldschool thrash that amazingly is transformed in pure death metal at some parts, fast to mid tempo in a good anthem that encapsulates the band spirit.

The acoustic atmosphere surrounds you as the explosion of authentic furious thrash burns your soul with the tittle track, Lobotomized, remarkable guitar play and amazing mid fast drumbeats with added double pedal in an excellent composed structure and followed by another highlight for the band, Lust for hate, included previously in their first EP, the patterns taken here includes death metal drippings under a fast killer thrash fire, but creating a great bridge that leads to one of those chorus to scream and bang the head.

Parasitic life and As we Rot(promises of heaven) follow the same force and even raise up the aggression levels with a more notorious drumbeats in two of the fastest songs of the band that will your necks, special mention to As we Rot, introducing death and growling vocals in a vertiginous fast missile combining successfully all the elements the band have experimented along the album creating an inevitable mosh pit.

Biotoxic Warfare made their point of entry to the main thrash metal scene with Lobotomized, succeeding in terms of crystal clear production with the first album and forging surprisingly good album, if you want thrash metal, with death metal drippings, straight and strong, Lobotomized is what you are looking for.

8,5 / 10


Line up
Mike Kavalos – Vocals 
George “Dimator” Dimitrakakis – Lead Guitars 
Stelios Sfendilakis – Rhythm Guitars 
Panagiotis Polioudakis – Bass 
Orestis Drapaniotis – Drums 

Links


Release by Slaney Records



Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Monday, 1 December 2014

Review of the album "Með vættum" bySkálmöld (Napalm Records)



Skálmöld is a Viking metal band from Iceland formed in 2009, the name comes from the words "Age of the Sword". The band have released three albums, Baldur  (2010), Börn Loka  (2012) and the recently released Með vættum, last 14th of November 2014 via Napalm Records, and will be available the 1st December in UK (and rest of Europe).

Skálmöld feed the flame of Viking metal adding fo drippings under a mixture of heavy metal, thrash and death metal elements along the album, the vocals are impeccable, growling and straight from the beginning to the end, but probably eclipsed by the high quality of the guitar and drums performance most of the times, alternating the death metal elements in good harmony with the above mentioned thrash missiles and heavy pounding rhythms; the compositions are rich in general and will never bore the listener, being one of the best cards played by the band.

Að vori opens the album straight away with the Viking power sensation, boosted with epic force and headbanging feeling, with special mention to the vocal job and the strong pounding drumbeats, continued by Með fuglum, exploding in a powerful death metal attack contrasting with heavy and viking headbanging metal in-between, remarkable job on those guitar riffs, thrashy solos and also the bass sound, powerful with the melodic clean vocal parts, definitely one of the best of the band.

Then is the turn of the mid tempo with increscendo structure Að sumri, enriched with sophisticated drum performance and really good job on the vocal melodies, and of course awesome ending continued with another mid paced shot Með drekum, this time with stronger and neckbreaking riffs and drumbeats with added northern epic melodies.

Að hausti heralds one of the best Viking symphonies of the album and also is combined with modern structures on the vocals, that mixed together creates a good feeling, keeping the headbanging power with good points on the double pedal parts.

If up to now you like the album, get ready for the best song of the band, Með jötnum, including the best Viking sensations twisting the rhythms with death metal riffs and technical drum performance, and even though the instrumental break could distract you at the beginning, it's a theatrical warming up for the best composition of the album, where the intensity explodes in an astonishing in crescendo canon of vocal melodies and epic instrumentals.

Að vetri continues the epic adventure with another genuine viking metal shot, creating a good harmony with the straight harsh vocal and the melodic instrumentals, developing a forceful ending with epic power metal influences and leading to the last song of the album, Með griðungum, strong mid paced rhythms showing a better and more furious vocal play, ascending intensity exploding in a sudden fast paced metal where the shredding and the vocal verses explodes together leading to an intense hymn part very well composed.

Skálmöld forged an album with the essential Viking metal lessons, but without being another run of the mill job, the band introduced thrash, heavy and death metal elements, ascending the power to a high level of inspiration and technical performance, equally headbanging from the very first second.

9 / 10



Line up


Snæbjörn Ragnarsson - Bass
Björgvin Sigurðsson   - Vocals, Guitars
Gunnar Ben  -  Keyboards, Vocals, Oboe
Baldur Ragnarsson  -  Guitars, Vocals
Þráinn Árni Baldvinsson  - Guitars, VocalsJón Geir Jóhannsson -  Drums, Vocals


Links

Facebook
Homepage
Instagram
Myspace
ReverbNation
SoundCloud
Twitter
YouTube Channel

PROMOTION BY NAPALM RECORDS



Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Tuesday, 28 October 2014

REVIEW OF THE ALBUM FIRES OF REDEMPTION BY BANDEMONIC (10-11-2014)


Bandemonic is a traditional heavy metal band from Ioannina, Greece, formed in 2009 and releasing their first EP Chains in 2012 (click to read the review), receiving positive feedback by the media and allowing the band to share stage with important bands like Enforcer, Grim Reaper or Helstar. After working hard on the new album, the band finally signed with Steel Gallery Records in October 2014 and now the machine is fully charged ready to release their Fires of redemption the next 10th of November 2014.

The album sounds much more professional and solid than their first Ep two years ago, for those who realised about their potential previously, will find out how right we were now that this album is completed, because what you are about to listen is a powerful heavy metal machine that, as a new band, will hit the true metal scene.




Getting the deep detail this work deserves, the album starts with Fires of Redemption as an instrumental epic track with well composed melodic violins and acoustic guitars to literally explode in a thrash influenced guitar riff of the mid paced Torment, the vocals are now outstandingly improved, stronger and more controlled than before, brilliant job on the combination of technical drum rhythms and guitar performance denoting a complex composition linked with Disingenuous as one of the best of the album, the guitars well demonstrate it with an excellent aggressive and sharp beginning, soon to create the head banging feeling with a catchy chorus coming from the power and epic metal elements, the melodies on the verses and the vocal interpretation have been taken care very well with an amazing result.

Martyr comes in a crescendo structure with strong guitar riffs and power metal vocal drippings bringing memories from Queensrÿche style with awesome high pitched parts, but with added thrash elements on the instrumental, this time the structure and chorus denote a modern 90s influence; as we continue with The awakening, as a slow mid paced act with great changes of pulse, with a genuine power metal chorus found among all the elements that Bandemonic create.

Now its time for the most epic bomb of the band to date, Burn the witch is probably the most sophisticated track they've done with neck breaking parts and breathtaking theatrical vocal verses including the fact that some guitar riffs are purely thrash metal, this is a gem that perfect encapsulates the band's style.

Inner battle slow the machinery but keep the high quality in composition, remembering their first EP patterns, to attack with Bullet as another fast paced headbanging missile with high pitched vocals and fast palm muted and galloping riffs, remarkable the contrast of aggressive and melodic parts.

Guardians of time is the most professional track of the album, with an ascending intensity leading to an epic forceful and addictive chorus, the vocals demonstrate his best job and the instrumentals are in harmony and tremendously intense and powerful.

If there was a song that was the pure sign of the band in their EP, a song that will make you remember this band as many other songs such as Heavier than metal for Skull Fist, all or nothing for Cauldron or Full speed or no speed for Striker; here we have The Seeker for Bandemonic, the masterpiece from the first EP is now re-recorded with the higher quality that this album have in general, the vocals are definitely better and fresher than before, I really liked they recorded this track for the new album, its totally headbanging and genuine old school heavy metal, making the perfect ending of a great album.

Fires of redemption will be the necessary step that will hopefully catapult this band to the front of the traditional heavy metal scene, the quality of the compositions and an excellent production situate the band in the level of bands like Striker, in fact they have things in common such as the thrash metal influences on the guitars combined with heavy and US power metal vocal techniques.

Bandemonic demonstrated they are here to attack with a powerful force that deserves to be echoed around the globe.

8,5 / 10






Bandemonic are:
Vocals- George Mantos
Guitars - Erik Karamanis and CA Chairopoulos
Drums - Adrian Kyprianos
Bass - Panagiotis Bestos

LinksWebsite
Facebook
Reverbnation
Bandcamp

Review made by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Sunday, 12 October 2014

REVIEW OF THE EP THE LOST ONES BY BLOODRED



Bloodred is a blackened death metal band with epic influences, formed in 2009 in Stuttgart by Ron Merz, being a solo band with him composing and playing all the instruments, recording the first EP released in June 2014 digitally with physical copies in August, Joris Nihenkuis recorded all the drums, leaving the band as a studio project at the moment.

Bloodred drink from the roots of the blackened death metal as they well demonstrate on the first track Spirits of the death, the drums heralds a sophisticated performance changing death and black metal style with the guitars, even showing parts of folk melodies; the essential epic structure is present and goes in crescendo to become the key point of this song.

The harsh and growling techniques on the vocals are correctly managed and boost the final sound to a forceful and headbanging feeling, special mention to the vocal performance on their second and final track of their EP, The lost ones, playing with death and thrash metal elements backed by a remarkably headbanging galloping pulse, evolving in intensity and finalising with folk based notes within an epic and powerful structure.

Bloodred managed a crystal clear production on their first creation, well feed by sophisticated compositions, a gem of the genre with just the first EP!


8,5 / 10



LINKS
Website 


Released by Metal Message




Post by Daniel Ortiz
Metalheads Union
Metalheads Union FB

Wednesday, 24 September 2014

INTERVIEW WITH STRANGER BLAZE



The speed thrash metal band Stranger Blaze released their debut album one year ago and the second one, Soulbreaker, is coming soon; in the meantime the band gave us some time to answer key questions about their history, past, present and future of the band.

If you like to check the review of their 2013 album Let destrution begins, click here
Hello guys and Thank you for taking the time! Tell me a bit of history of the band, how did you decide the band's name?
Hey Hello and thanks for the space… well, basically the name of the band is because we were trying to get something to represent what we are doing with our music. You know, we come from a country that unfortunately hasn't a well-known band to represent our land, you know so we felt identified with these 2 words. Stranger, because, like I told you, we come from the unknown Mexican scene to the global metal stuff but we want to burn it down like a fire, a blaze (in a good sense haha). It could sound funny but that was the best option we had at that moment hahaha

 As far as I know the band was formed four years ago and the first full length was released last year, how do you value the process of creating and recording the album?
Stranger Blaze, as a band, started in 2011, 2010 was the year when we started to play guitar, and I’m talking about Albert Gaona and me. That foo taught me the first chords and notes on guitar, but in 2011 we completed the first line up. The LET DESTRUCTION BEGIN album was released in august 2013 but, we released the first EP in October 2011. The composition process was easy to be honest, it took a time when we were at recordings, cause it was the first time that we worked on the studio. The drums section was pretty quick to record, then the bass line stuff, the rhythm guitar section was very easy, but the real problem came with the lead guitar. at that time, the lead guitarist was not interested too much in the music business. This guy missed a lot of recording seasons, as a matter of fact, we lost a lot of time. But once completed, we didn’t have any other problem. The whole recording process took like 3 weeks so far. I can tell you that we tried to show what we felt in every single song at that time, we weren’t well experienced musicians at those days, but everything was honest, I mean, we don’t want to write about a billions of demons in a song just to make people think we are true and scary metalheads, we just wanted to put our ideas on the album. People could say "they are not the greatest band in the world but these motherfuckers are real.


You mention in your bio that the band started on a heavy speed metal style idea, but the final sound reveals a high thrash metal influence, how this influence came to the band's sound?
That’s a good question because nobody asked it before, but it is very simple, we love thrash metal bands specially Albert Gaona and me, since the beginning, we wanted to make fast music but a little bit different. Adolfo Sanchez, the current drummer, comes from black and death metal influences but we had clear that we would make fast shit and actually we love the results.


Its easy to see that you carry the true spirit of thrash metal attitude, how is the people reacting on the concerts?
The crowd is always insane, sometimes we are in the gig clubs, bars or whatever, and there are like 30 or 25 people and we are like "oh man this sucks" then we are on the stage and you see a lot of motherfuckers killing each other. They always multiply like fuckin' gremlins haha, it is awesome.


After your first album, how is the international metal scene reacting?
We received a lot of good reviews around the world, as an underground metal band, you don’t expect too much with the first strike, but this time it happened. we received good comments from people around the world, one guy in Osaka Japan asked us to send him a couple of CD's for his metal store, we already sent the album to Europe, the United States, and that shit is kicking over south America too...and obviously in Mexico. And after the Colombian tour the status of the band is growing and growing, like we say, you cannot stop the indestructible machinery...


I see how true metal in Mexico is getting bigger in consequence of the growing wave of traditional heavy metal bands worldwide, how do you value this situation?
It is a good thing but at the same time a bad thing, because there’s a lot of people listening to metal but a reality about this country is that always one wants to be better than the other one, the people is fighting each other to see who knows more about old school thrash metal bands, and it’s like, stop being a moron go and listen all the bands no matter if they are old or new, fuck that, it’s about the music, who cares if you know what colour Gary Holt´s underwear was when Exodus released Bonded by blood, just go and enjoy metal dawg .. But at the same time there are a lot of people with open mind that knows how to appreciate the new stuff as they do with old school music, I love that.


Could you name the bands that most influenced your style?
 Actually, I have non usual taste, because I can listen to Metallica, Slayer, Exodus, and Destruction but also I love Metalcore bands, like Trivium, Avenged Sevenfold, stuff like that. I like Mexican American rap music too, but I don’t let the rap world to influence my compositions haha. Albert Gaona prefers the old school metal stuff, bands like Slayer, Exodus, Violence, DRI, Testament, Heather, and Adolfo Sanchez is more like Cannibal corpse, Cannabis Corpse Immortal, Burzum, Brandon Reyes likes Thrash metal stuff but he is more into blues music.


The production is on the average quality as a first album for a independent release, how was the work with the band members in the studio?
At the beginning was kinda hard, cause like I told you we had not been working on the studio before, metronome was a challenge for us, but we beat that motherfucker. We wanted to make something professional, and I guess we did it. Every one of us knew the purpose and the expectative of the album, so we did our best on the recording seasons, and we enjoyed that shit as fuck.


You are working on the the second album, Soulbreaker, how do you feel recording this album?
We are exploring on different ways regardless of people comments, but we love to do it, and we know the people will enjoy this album from beginning to end, we are taking a time to think in every single detail, the purpose on this, is to make something bigger and better than the last album, we want to take the next step to find our own sound, it is exciting.


Could you anticipate any details of the new album? 
This shit will be fast, aggressive and technical; every single song will be like a kick in the balls and a punch in the face. you will find thrash metal, heavy metal, a lot of riffs, melodies, instrumental and technical songs...damn were gonna take the people from the neck and beat the shit down of them. At the lyrics you can find something to feel identified with, and real histories, for example there’s a song called "Into the gates of darkness" it is a song that i wrote when i got enough inspiration from the army life. There is the instrumental song "Dreams on the steel" dedicated to the Central American immigrants that cross Mexico to reach the American dream, leaving the family and facing death every single day just to give a better life to their people, real heroes dawg.


Have you had any promo agencies, record label offers since the release of Let destruction begins?
Well, to be honest, we received some invitations with Mexican agencies, but we wanted the first album to be independent, and we would try to get a label for the second one. So we're gonna send the album to some American and European labels, to spread the fire over the world.



Could you tell me how do you remember the best gig you performed?
 One of my favourites was the first one, because we were the unknown band, it was a homemade gig on someone’s backyard and that shit became a hell when we started to play... But homie, the real one wasn’t even in our country; it was in Bogota, Colombia. I remember that pretty well, full house, those fuckers killing each other, doing stage diving, singing the songs, I remember in the last song of the set list, it was thrash demolition, we asked the people  to make a wall of death.. that shit was a war zone, I remember after the show I saw some kids bleeding as fuck, and one of them was like, hey you Mexican fuckers, you are awesome this shit was the best gig in my life... and I was like "thanks foo it was mine too... by the way I’m sorry for your blood" hahaha

Which countries would you like to visit In the future?
Well we want to play in every single country around the world, right now we are planning to go to Central America, cause we heard those fuckers are insane and we want to be witnesses of that. Also we want to go to the rest of south America, visit Europe, Asia for sure and personally I want to go back to the United States, even if we have to go illegally, fuck the migra hahahha I’m kidding but yes, we want to break people ears over the United States too, Canada.. Basically we want to play in every single country on earth.


Which bands would you like to share stage with?
Obviously we have our favourite bands, personally I would like to play with bands like Angelus Apatrida, Trivium, Metallica, Exodus and those legendary bands, you know what I'm sayin'?


What are the plans after the release of your album Soulbreaker?
 Well were gonna make the first Official video, I won’t tell you which song we chose for that, it will be a surprise. also, we want to make a tour over central America, south America  and the big jump to Europe for sure, were gonna tour over Mexico again for sure, like I told you we would try to sign with some big world company, so we can spread the Stranger Blaze music easily over the world. We will work on the third album too; in fact, we already have a couple of ideas for the third one, so the indestructible machinery is getting bigger and stronger.  


To finalize, could you leave a message for your fans?
We don’t have fans, despite what fuckers think, we just have brothers and sisters, so we want to say to all our raza over there to support and believe in the new school metal bands, no matter which sub genre they play, if you love metal, take a chance to listen the new bands, support for their local scenes and stop being pendejos hahaha ... greetings to all the crazy fuckers around the world! 

Thank you very much guys! Hope we see you soon in Europe!
Thank you very much for the interview brother, peace