Tuesday, 28 April 2015

REVIEW OF THE EP LAND OF OLD BY ELDERTALE


Eldertale is a melodic folk metal band from Ukraine formed in 2005 but being more active since 2012, releasing their first EP in June 2014, they deliver a pure folk pagan metal, adding some neoclassical drippings and powerful moments, creating in general rich structures in terms of composition as melodic instrumentals and growling vocals are the common strategy for this headbanging EP.


The band break the ice with Exile, as the choirs mark the powerful entry of complex drumbeats and melodic background with an excellent composition on the verses, really intense and good crescendo part at the end; this track defines perfectly the band's sound.

Land of Old might be one of the best tracks of this style I've ever listened, it starts with an instrumental orchestrated melody, the composition is outstanding. Then this intense shot goes increscendo, adding army marching rhythms on drums, to literally explode in a headbanging anthem, vocals and instrumental are in perfect harmony and the transitions between changes virtuously made, the lyrics also are powerful and the melodic growling voice are the best in the EP, also remarkable rhythms on the drums with drippings of power, thrash and death metal, bass is also excellent on the solo; the perfect highlight of what this band is capable of.

Finally the EP closes with Time of ancient, mid tempo traditional folk pagan metal, as seen on the rest of the material, this track follows the path of adding melodic power metal structures, piano and orchestrated parts are, again, amazingly well composed.


Eldertale first EP got a crystal clear production, it's headbanging from start to finish, the compositions are sophisticated including catchy melodies and awesome orchestrated parts, drums should have more presence next time, but the final result is overwhelming, just can't wait for the full length!



9 / 10





Line up 
Alexander Desyatnichenko Drums
Eugene Belozertsev Guitars, balalaika
Josh O.Berg Keyboards, choirs
Kirya Vocals, guitars, bass, choirs


Links



Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Friday, 24 April 2015

REVIEW OF EVIL INVADERS LIVE AT THE UNDERWORLD (LONDON)



Evil invaders took over London last 1st april along with the true metal bands Bloodbound and Majesty.

Just opening the venue, as the crowd started to fill in the place but not even half full of capacity, Evil Invaders attacked like a sudden explosion of full speed metal with Stairway to insanity, as always the first line of the fans and media were full power of headbanging action, as people on the back didn't know them yet as they were on a static mood, and it was something to remark that this kind of power these guys were demonstrating deserved more attention, the guys nailed in synchrony.




The stage started to be full of smoke as the band shocked the audience with their well known hit Driving Fast from their first EP, vocals were a bit low even though the potency of Joe's screams, but fixed as soon as they greeted the audience to explode with one of the gems of the new album, Shot to paradise, the crowd were involved just a bit more than earlier, also more people arrived so the venue was almost full; really well performed shot as Joe made it at perfection in one of the most difficult tracks of the band in terms of vocal pressure, continued with probably the best known track of the new album, Fast loud and rude, nailed it! 



Continuing with a perfect performed Victim of sacrifice to reach the top with their last masterpiece Master of illusion, all and all the band demonstrated this is their finest hour, and clearly deserved more and better audience, time will tell.



Following the concert I had the chance to interview Evil Invaders and it will be available soon on the Metalheads Union youtube channel!

Enjoy these pics from the gig! Also you can check the review of their debut album Pulses of Pleasure here.






















LINKS:


Promotion by NAPALMECORDS


Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Thursday, 23 April 2015

REVIEW OF THE ALBUM NIGHT OF THE WARRIORS BY THUNDERHEART


Thunderheart finally released their debut album last February by the hand of Killer Metal Records, the Spanish band delivers a good classic heavy-power metal with influences from US metal bands like Jag Panzer,drippings of speed metal like the Germans Warrant and catchy strong and straight choruses bringing memories from Grave digger; but definitely these guys develop the genuine sound of Steelhorse, previous band from the guitarist Willy Gascon, that encapsulates the essence of Judas priest, Iron maiden and Accept among other Titans of heavy metal, the vocal style by Javier Pastor Is powerful and melodic, using mid to high pitched tunes and generally on the clean side.


New horizons introduces the album as an instrumental melodic headbanging shot linked with Show them our fire, developing awesome guitar riffs in a fast paced hit, guitars are remarkably good on the melodies behind the vocal parts, continued by the tittle track Night of the warriors, mid tempo act with a really epic bridge and catchy chorus, awesome palm muted guitar parts in one of the best highlights of the Album.

The mid paced addictive riff of Thunderheart will make you bang your head from the first second, vocals here are brilliant, from the high pitched verses to the straight chorus, made to scream in the gigs, one of the best compositions of the band, as it continues with Concrete Jungle, another mid tempo shot where the band strikes back with epic bridges and a chorus that draws awesome melodies, one of the best acts, of those to be played continuously.

Killing my fears evolves with a fast paced rhythm, simple but effective riffs combined with a well crafted chorus, effective and strong strategy followed by the mid tempo Rules of a lie, with epic riffs and a crescendo structure, the instrumentals stay more static melodically as the leadership are remarked on the vocal part.

Bulletproof continues the 80s heavy metal sound revival in another mid tempo anthem, well performed on the vocals and also good harmony between the instrumentals, perfect song for a gig; as I'll always be there for you accelerates the machinery in an outstanding riff work and melodic vocals, another top hit of the band where everybody will bang the heads, good drum parts with remarkable changes of rhythms.

Now its the turn of one of the key tracks of the band, rise or fall, the last shot of this album Night of the warriors, they actually perform all the styles developed throughout the album, pure classic heavy metal riffs with addictive choruses and excellent bridges that make the listener rise the fist in the air, shouting rise or fall, impressive!.

Night of the warriors is the first taste of Thunderheart, and to tell you the truth, this debut album sounds really professional, the compositions are well crafted in every single note and they know how to catch the attention of the listener, tracks like rise or fall, concrete jungle or thunderheart are good demonstrations of their sound, and excellent lessons of true metal;

Thunderheart have jumped to the top of the Spanish heavy metal scene with the first album, good job!


8,5 / 10


Line Up

Willy Gascon / guitars
Javier Pastor / vocals
Ricardo Lazaro/ drums

Links






Post by Daniel Ortiz from Metalheads Union and Metalheads Union FB


Thursday, 16 April 2015

INTERVIEW WITH SACRAL RAGE (MARIOS AND DIMITRIS)



After releasing their first album with Cruz del Sur, Sacral Rage and their Illusions in infinite Void are getting known worldwide by true metalheads, so finally I had the chance to have an interview with guitarist Marios and vocalist Dimitris. If you'd like to check the review please click here




Hi guys! Thanks for your time and also thanks to Jan from sure shot worx for making it possible.


First of all lets talk about the history of Sacral Rage, why did you come up with that name? What different metal styles have you been influenced when the band was formed?

Greetings to all of you!!

We started on the last month of 2011 and since then we have 2 official releases and a couple of demos/promos. The mini Lp “Deadly bits of iron fragments” by Eat Metal Records in 2012 and the full length “Illusions In Infinite Void” in 2015 by Cruz Del Sur on cd and Underground Power Records on vinyl.

You can liken the name as follows: The “Sacral” element stems from the darkness, paranoia and madness we breathe while the “Rage” arises from our lethal speed and rhythm attack.

The style and vision haven’t changed although it evolved a lot. We still bow down to bands like Judas Priest, Rush, Crimson Glory, Watchtower, Nasty Savage. Just like the “old” days.



Seeing the result of this combination of styles, what bands could be the major influence for Sacral Rage?

Too hard to answer that. The only thing I can tell you is that all of our influences, subconsciously rise through our songs and we don’t have a certain band in mind when composing stuff. Of course there are certain bands that we have in the back of our minds but As much as we are influenced By Rush and Mercyful Fate evenly Annihilator and Death made the same impact on us.


Not only you covered Mercyful fate, Sacral Rage heralds that influence all over the new album, among some US metal or power metal of course, when composing the instrumentals, did you have in mind to sound like king diamond or was it something that evolved automatically at the time of each composition?

The latter I would say. As said before we don’t try to sound specifically like one or two bands of our influences. We want this to come naturally out of our songs. Of course we knew that certain parts had the King and Mercyful vibe but we didn’t force it. To tell you the truth, we are extremely horny when something like that happens not only with the King but generally.


How was the process of creation of the new album? Was it easier now that you got more experience, than the first Ep?


On the contrary it was way more difficult because we had to overcome ourselves. I believe we achieved that by far. When we composed Deadly bits we didn’t had people expecting our album so it was an easier process. But now we had to satisfy both ourselves and the listener who knew what we offered through our Mini Cd. Also all of our recent songs are way more complex, weird arrangements. This in itself requires more focus and “Discipline”.


How is the general feedback from the media?

Very good judging by the fact that the press towards new bands is very circumspect. The only thing is that many are confused regarding the style we are playing and our influences. You can read in some zines that we are playing US metal while in others Heavy metal, Prog Metal , Thrash metal etc. The average of the reviews is great!



The vocal parts are really high pitched at some parts, sometimes pure theatrical performance and really powerful also at some points, are you happy with the result?

Yeap , I am extremely happy because Dimitris really surpassed himself both in terms of composition and performance .He has a unique voice and just like the rest of the band, he has his own style without copying any of his mentors. Especially in our times where everyone tries to sing like Dickinson, Dio or whoever.



How do you feel when performing live such a large range of vocal quality in terms of low to high pitched style?

There is always a stress about my throat's condition. For this kind of vocals it should be at a perfect state. But whether it is or not when I let myself into madness the result is always the same, screams coming out from outer space, high pitch terrorism destroying the stage.



I think one of your best tracks is en cima del mal, but the song that defines your sound better is Lost chapter E: Amarna's reign, what's your favourite song from the new album?

Again this is too hard to tell because it is really too soon to answer that. If you put a gun in my head though, I would probably say the twins (Sutratma, Amarna’s). The thing about En cima is that this is a kind of a standard heavy metal tune (catchy chorus , normal structure etc). So that’s why many people say that this is their favorite. I really love this song but I believe that there are others that deepens more as far as composition, instrumentation concerns. Amarna’s on the other hand has all of our elements. It is dark, progy, technical, extreme.




How is it going with the tour after the release of Illusions in infinite void?


We have already been added to Belgium’s Heavy sound festival’s line up and we are scheduling some extra shows in Greece. We are on the talks for a tour but it’s too soon to tell anything. We are open to play everywhere, so spread the word!!



How do you feel when you see that bands like Fist, Ostrogoth or The Rods are going to share stage with you?

Feeling AWE!! We are extremely proud to share the stage with these legends. It never really crossed our minds that there would be a day that we would support these bands. We have to be prepared and play a good show haha.


Which band could you choose to share stage with, in the future?

Well: Watchtower, Nasty Savage, Armored Saint. Fuckin’A !!


Can you tell me which country is your favourite for a concert?

Well, we have only played in Greece and Cuprous so there couldn't be a proper answer to this. I am sure though that the English grounds will be killer for a gig!!


Describe your most special moment from the last tour.

Although we didn’t actually toured but made one-off gigs, I would choose the show we did with Jag Panzer, there were lots of energy, and it was really intense and also met our heroes (Really cool guys). Also the Power of the Night Fest in Cuprous was really great experience.



Are you gonna hit the UK in this upcoming tour?

We really would like to do so!!! We know there are many people who dig us but we haven’t spoken with a promoter yet. Time will come to visit the island and taste the grounds who gave birth to Heavy Metal!!


Are you getting better promotion now that you signed with Cruz del Sur records?

So far so good they say. Right From the beginning of our course with Cruz, we can see lots of interest for us. So I guess he is the right man! He is doing great job really. Our madness has been spread almost everywhere and this is thanks to Cruz del sur.


Bands like mausoleum gate or convent guilt are also with Cruz del Sur, do you know them?

Oh yeah! Mausoleum Gate did a great job with their full length. For Convent Guilt, I am not familiar but going to check them asap. Also I met the guys from Magister Templi. Another great Cruz del sur band and their singer is a great guy!!


There are many new bands next KIT that will be reference for the true metal scene, Cobra, Mausoleum gate and Sacral Rage are among this bands, how do you feel about playing in this festival?

When we first heard that we are playing at KIT, we couldn’t believe it. It is a huge Honor for us that the headquarters at KIT chose us as the new act that’s playing. This is the biggest possibly underground festival in the more classic oriented sound. The lineup is killer as always so we will try to give the most of our madness and craze to all of you.



Finally please send a message to your fans!


Salutes to all of you and we hope to make you part of our madness soon enough!! Thanks for this interview.
Support METAL not trends!!
Cheers !!!



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music


Post by Daniel Ortiz Metalheads Union and Metalheads Union FB

Tuesday, 24 March 2015

REVIEW OF THE ALBUM ELDERSLIED BY INCURSED



Incursed is an epic folk metal band formed in 2007 in Bilbao, Spain. The band released three full lengths, debuting in 2009 with Morituri and followed by a great title called Fimbulwinter in 2012; then two years later, last december 2014, Incursed released their last and best album up to date, Elderslied.


Incursed style comes from the melodic pagan and folk sounds in its essence, using orchestrated parts all over and developing really intense epic power metal compositions with instrumentally complicated structures,the vocal parts swaps from clean melodic style to growling sections; got influences from bands like ensiferum or Caladmor, guitars deliver the powerful melodies with technical sections brilliantly combined with sophisticated drums.

Song of the ancient takes us to this melodic folk metal journey, as an orchestrated instrumental intro that evolves metalized in Heart of yggdrasil, being a perfect highlight of the band's style, remarkable compositions on the verses and powerful chorus made with clean vocals, following the act with the acoustic notes of Raging wyverns, soon to be epically transformed in a highly intense slow-mid tempo anthem highly accelerated at some parts.

The wild hunt heralds one of the best riffs of the album, with a remarkable job on the vocals, going high pitched growing and clean style on the chorus, amazing also on the double pedal drums and followed by Beer bloodbath, forging another catchy melodic riff of those of headbanging and moshpiting, awesome job at the end with the in-crescendo rhythmical bomb leading to Tidal waves, good riffs and headbanging pace in growling vocals, followed by Jötnar, with ascending composition, adding nice violin background melodies in one of the best created songs of the band, theatrically brilliant.

After the instrumental interlude of A fateful glare, the action literally explodes with Lady Frost, another lesson of the band's sound in full power, fast paced headbanging bomb with breathtaking compositions on the verses and melodic chorus, the guitar performance is remarkable combined with the keyboard solo, followed by The undying flame, forging some classic folk melodies, in an intense slow mid tempo ballad of well performed growling vocals and clean styled chorus.

The classic opera tunes of Sauren Lurraldea are suddenly boosted with symphonic power metal soul, good rhythm changes and beautiful melodies, with good details on the background keyboard as the next track kicks in, One among a million, increscendo patterns with good harmony on the instrumentals, excellent details on the drum performance and really intense vocal sections, following the same good strategies used previously, finalising with an astonishing ending.

Promise of hope gives the final touch to the album in a instrumental melodic anthem, including orchestrated sections and choir backgrounds crafted at perfection, simply epic.

Incursed really worked hard to create an excellent album, Elderslied is sophisticated and perfect instrumentally, combining very well folk and pagan with power metal including symphonic, neoclassical drippings and also death metal shots, really well elaborated album that, without innovating, will be one of the best of the year on their genre.

8,5 / 10



Line up

Juan Sampedro Bass
Narot Santos Vocals, Guitars (rhythm)
Jon Koldo Tera Keyboards, Vocals (backing)
Asier Fernández Guitars (lead)
Asier Amo Drums


Links



Promotion by METAL MESSAGE





Post by Daniel Ortiz
Metalheads Union
Metalheads Union FB

Sunday, 22 March 2015

REVIEW OF THE ALBUM STALLIONS OF STEEL BY PROWLER



Prowler is a classic heavy metal band from Germany formed in 2008, and released their first EP Hard Pounding heart in 2012, Finally Prowler released their debut album last 27th February with Pure Steel Records, under the name of Stallions Of Steel .


Prowler develops a classic new wave of British heavy metal sound in every single note, reminding of bands like Angel witch, Fist or Praying Mantis at their first line up, mid to fast paced rhythms generally with straight riffs and catchy choruses by a well played high pitched and clean vocal style.

Motorcycle of love kicks in and demonstrates what the band is all about in their mid tempo pace with Saxon reminiscences, remarkable guitar work on the riffs as the speed of sound accelerates to a pure speed classic heavy metal with Freedom, guitars are awesome specially in the solo, great teamwork with the drums making it headbanging all the way.

Mind and might hits with a killer mid tempo rhythm and one of the best choruses of the band including some good drum details, as Stallions of steel goes increscendo in another classic NWOBHM lesson becoming a good highlight of the album's sound.

Mexican Story heralds the best progression on the vocals, also the rhythms are really addictive and in general the intensity is boosted with power and glory, being in my opinion the best track of the band, as the riffs of Out of the night take you to bang your head in a very strong and straight shot of pure traditional heavy metal, well composed bridge and better guitar riffs all over.

Paranoia explodes in another speed metal headbanging bomb with good drum details and really good composition on the vocals as Prowler continues the mid tempo action with galloping, changing riffs and a really intense chorus.

A Maiden's Funeral contains some interesting riff performances with technical points on the teamwork of guitar and drums, remarkable the composition after the second half of the track, the crescendo part is outstanding.

Good album by Prowler, they managed really well the old school sound of the NWOBHM, will be a must have for any metalheads familiarized with bands like Angel Witch, Saxon or Holocaust; could be better produced, drums need more presence and generally the band need to work hard for the next album, but for sure, this is a pure genuine classic heavy metal band that will have lots to talk from now on!

7,5 / 10




Line up 

David Junold Guitars
Clemens Richter Guitars
Marvin Mehrländer Bass
Ronny Dietrich Vocals
Michael Czernik Drums


Links

Myspace
Facebook

Buy the album Stallions of Steel




Review by Daniel Ortiz from Metalheads Union and Metalheads Union FB

Sunday, 8 March 2015

REVIEW OF THE ALBUM ILLUSIONS IN INFINITE VOID BY SACRAL RAGE (10/03/15)



Sacral Rage is a speed metal band from Greece formed in 2011, they have released their first EP Deadly bits of Iron Fragments last 2013, getting known worldwide by true metalheads and receiving also positive feedbacks. After a demo last year Sacral Rage signed with Cruz del Sur records.

  Finally they releasing their first full length the next 10th of March, and the Greeks are on the right path with influences from the technical speed metal characterized from bands like Agent steel or Oliver magnum but with a dark symphonic essence all along the album, bringing memories from King Diamond, also progressive and thrash metal drippings allow Sacral Rage to create their sound effectively; the guitars and drums work very well using technical details with symphonic melodies and palm muted riffs together with complex drum patterns, combined with a high pitched vocals, clean in general but without hesitating making it sharp and aggressive at some points.



The intro Harbringer opens the album to explode in one of the best tracks of the band, En cima del Mal, as the technical palm muted guitars bangs in a totally headbanging track, fast paced speed metal combining changes of vocal styles, sharp low and clean high pitched shots leading to a powerful chorus to follow with Lost chapter E, Sutratma introducing mid tempo galloping, progressive drum and guitar parts changing to thrashy and dark melodic sections in a more theatrical song linked with Panic in the Urals (burning skies) where the thrash styled instrumentals take over the clean vocal style, the interpretation here is outstanding as it brings you to the headbanging action with multiple rhythm changes even adding some Iron maiden drippings.

Waltz in madness explodes in a speed thrash metal with ascending intensity including ultra high pitched vocal parts, changing rhythms constantly with remarkable performance on the drums, followed by Into mental east, mid tempo progressive influenced instrumental track with virtuous guitar riffs and technical drumbeats.

Continuing the good level of technical instrumentals is the turn of Inner sanctum asylum, good bass touches here as the theatrical act of the vocalist enrich the experience with low pitched and sharp parts as a Tyrannous revolt explodes like a palm muted speed power metal masterpiece, the harmony between guitars and vocal melodies on verses are exceptional as the visceral restless pace reminds to Tyran pace.

Lost chapter E Amarna's reign is the last in line and it heralds the speed metal velocity, the composition also evokes the powerful speed thrash melodies,with dark symphonic sections and outstanding vocal qualities, basically encapsulate the band's sound; but don't stop playing this track after the silence starts, there is a hidden Instrumental part at the end (after the minute 10) where the band demonstrates also a short good lesson of oldschool doom metal to end the album.

Illusions in infinite void will delight true metal fans of King diamond and Judas priest, they got the power and aggression that makes you jump to the mosh pit, boosted with remarkable technical instrumentals and complex and impressive compositions.

9/10



Line up
Spyros Bass

Vagelis F. Drums 

Marios P.  Guitar

Dimitris K  Vocals



Links



Released by Cruz del Sur Music

Post by Daniel Ortiz Metalheads Union and Metalheads Union FB